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"Tomorrow and tomorrow and tomorrow" is the beginning of the second sentence of one of the most famous soliloquies in William Shakespeare's tragedy Macbeth. It takes place in the beginning of the fifth scene of Act 5, during the time when the Scottish troops, led by Malcolm and Macduff, are approaching Macbeth's castle to besiege it.
William Shakespeare's play Hamlet has contributed many phrases to common English, from the famous "To be, or not to be" to a few less known, but still in everyday English. Some also occur elsewhere (e.g. in the Bible) or are proverbial. All quotations are second quarto except as noted:
From the "Tomorrow and tomorrow and tomorrow" soliloquy (V.v; including "all our yesterdays have lighted fools the way to dusty death", "Out, out, brief candle!", "Life's but a walking shadow, a poor player that struts and frets his hour upon the stage" and "It is a tale told by an idiot, full of sound and fury, signifying nothing"):
The dynamic that Shakespeare plays with in the "feeling" and the "form" of the sonnet portrays a "feeling in the form". He uses both the physical form and symbolic meaning of the sonnet art form. [15] "Since mind at first in character was done" [16] and "To this composed wonder of your frame."
This category is for English phrases which were invented by Shakespeare, and older phrases which were notably used in his works. The main article for this category is William Shakespeare . Pages in category "Shakespearean phrases"
"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
The Theater of Trauma: American modernist drama and the psychological struggle for the American Mind. New York: Peter Lang. ISBN 978-0-8204-7466-3. Crowl, Samuel. "Flamboyant Realist: Kenneth Branagh". In Jackson (2000), pp. 222–240. Crowl, Samuel (2014). Shakespeare's Hamlet: The Relationship Between Text and Film. Screen Adaptations.
Of his quick object hath the mind no part, Nor his own vision holds what it doth catch; For if it see the rud’st or gentlest sight, The most sweet favour or deformed’st creature, The mountain or the sea, the day or night, The crow or dove, it shapes them to your feature: Incapable of more, replete with you, My most true mind thus maketh ...