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A Pictorial History of Worcester Cathedral. Pitkin. ASIN B0028BVHXI. Morris, Richard (1979). Cathedrals and abbeys of England and Wales: the building church, 600-1540. Dent. ISBN 9780460043342. Swaan, Wim (1988). The Gothic Cathedral. Omega Books. ISBN 978-0-907853-48-0. Swaan, Wim (1988). Art and Architecture of the Late Middle Ages. Omega Books.
Amiens Cathedral floorplan: massive piers support the west end towers; transepts are abbreviated; seven radiating chapels form the chevet reached from the ambulatory. In Western ecclesiastical architecture, a cathedral diagram is a floor plan showing the sections of walls and piers, giving an idea of the profiles of their columns and ribbing.
It attracted important medieval religious figures, including Saint Bernard, Abelard and Thomas Becket, who came there in 1164 to appeal to the Pope for support against Henry II of England. It was begun as a Romanesque cathedral, but as the walls were rising, the design was changed to Gothic and the proposed groin vaults replaced by rib vaults ...
Cathedrals are not always large buildings and there are no prerequisites in size, height, or capacity for cathedrals to serve as such beyond those required to be a typical church. A cathedral might be as small as the historic Newport Cathedral, a late medieval parish church declared a cathedral in 1949. That said, size, height, capacity, and ...
Cathedrals and Castles: Building in the Middle Ages (UK title: The Cathedral Builders of the Middle Ages; French: Quand les cathédrales étaient peintes, lit. 'When the Cathedrals were Painted') is a 1993 illustrated monograph on medieval architecture , mostly church architecture , and its building technology .
Medieval architecture was the art and science of designing and constructing buildings in the Middle Ages. The major styles of the period included pre-Romanesque , Romanesque , and Gothic . In the fifteenth century, architects began to favour classical forms again, in the Renaissance style , marking the end of the medieval period.
The pulpitum is a common feature in medieval cathedral and monastic church architecture in Europe. It is a massive screen that divides the choir (the area containing the choir stalls and high altar in a cathedral, collegiate or monastic church) from the nave and ambulatory (the parts of the church to which lay worshippers may have access). [1]
Images and statues were sometimes removed in disorderly attacks and unofficial mob actions (in the Netherlands called the Beeldenstorm). Medieval churches were stripped of their decorations, such as the Grossmünster in Zürich in 1524, a stance enhanced by the Calvinist reformation, beginning with its main church, St. Pierre Cathedral in ...