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G ♭ (G-flat; also called Ges or sol bémol) is the seventh semitone of the solfège. It lies a diatonic semitone above F and a chromatic semitone below G, thus being enharmonic to F ♯ (F-sharp) or fa dièse. However, in some temperaments, it is not the same as F ♯. G ♭ is a major third below B ♭, whereas F ♯ is a major third above D ...
G-flat major is a major scale based on G ... In particular, the black keys G ♭, A ♭, B ♭, D ♭, and E ♭ correspond to the 5 notes of the G-flat pentatonic scale.
Twenty Variations in G major, Hob. XVII/2, was written in the 1760s by Joseph Haydn. In 1788/1789, Artaria published the Arietta con 12 Variazioni in A major (Twelve Variations in A major), which is an abridged version of the Twenty Variations in G major, and in a different key. [1]
m. 2: G ♮ (with courtesy accidental), G ♭, G ♭ (the flat carries over) m. 3 : G ♭ (which is tied from the previous note), G ♯ , G ♮ (the natural sign cancels the sharp sign) Though this convention is still in use particularly in tonal music , it may be cumbersome in music that features frequent accidentals, as is often the case in ...
Note 1 - Kojo No Tsuki in this recording is not the version in the zen-on publication of Variations on Three Japanese Songs by L. Moyse; Note 2 - This is an arrangement from original piano piece Humoresque No. 7 ( of 8) : Poco lento e grazioso in G flat major. On another recording, The Art of Marcel Moyse, it is played G flat major.
Prelude in G-flat major (Rachmaninoff) S. Signore, ascolta! U. Un bel dì, vedremo
Seven Easy Variations in G major Sieben leichte Variationen in G 1810? presumably not by Schubert Anh. I/13 Six German Dances Sechs Deutsche 1814 lost Anh. I/14 Waltz [in G-flat major], Kupelwieser-Walzer: Walzer 17 September 1826 transcribed by Richard Strauss: Anh. I/15 [336] Minuet with Trio in D major Menuett mit Trio in D : date unknown
A late-14th/early-15th-century Halberd from Fribourg. The word helmbarte or variations thereof show up in German texts from the 13th century onwards. At that point, the halberd is not too distinct from other types of broad axes or bardiches used all over Europe. In the late 13th century the weapon starts to develop into a distinct weapon, with ...