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Neighborhood Story (Japanese: ご近所物語, Hepburn: Gokinjo Monogatari) is a Japanese manga series written and illustrated by Ai Yazawa. It was serialized by Shueisha's shōjo manga magazine Ribon from 1995 to 1997, with its chapters collected in seven tankōbon volumes. The manga has been licensed for English release in North America by ...
My Neighbor Seki (となりの関くん, Tonari no Seki-kun) is a Japanese manga series written and illustrated by Takuma Morishige. The series follows a girl named Rumi Yokoi who is constantly distracted by her neighboring classmate, Toshinari Seki, as he indulges in elaborate hobbies and somehow never gets caught in the process.
Johanna Draper Carlson regards My Paranoid Next Door Neighbor as being "all about the sex", noting the similarities in the storyline to a romance novel where a lower-status female is pursued by a higher-status man. Carlson admired the manga's steadfastness in including sex scenes, as she regards this as being a key draw of yaoi. [5]
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Their friend and next-door neighbor Norie Masuyama was a significant influence on both artists: though Masuyama was not a manga artist, she was a shōjo manga enthusiast motivated by a desire to elevate the genre from its status as a frivolous distraction for children to a serious literary art form, and introduced Takemiya and Hagio to ...
“My Neighbor Totoro,” a stage adaptation of Miyazaki Hayao‘s beloved 1988 Studio Ghibli film, is set to return to London’s Barbican Theatre this fall. The production is a collaboration ...
Nono-chan (ののちゃん) is a yonkoma manga series begun in 1991 by Hisaichi Ishii originally serialized as My Neighbors the Yamadas (となりのやまだ君, Tonari no Yamada-kun) in the Asahi Shimbun in Japan. When the series first began, it was generally focused on all of the members of the Yamada family.
The story of the Nausicaä film is much simpler than that of the manga, roughly corresponding to the first two books of the manga, the point the story had reached when film production began. [38] In his interview for Yom (1994) Miyazaki explained that he worked from the precept that a film requires an opening and a closing of the story.