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When describing popular music artists, honorific nicknames are used, most often in the media or by fans, to indicate the significance of an artist, and are often religious, familial, or most frequently royal and aristocratic titles, used metaphorically.
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The term was first applied to music during the 16th century, at first to refer to the imaginative musical "idea" rather than to a particular compositional genre.Its earliest use as a title was in German keyboard manuscripts from before 1520, and by 1536 is found in printed tablatures from Spain, Italy, Germany, and France.
The Italian word for "echo"; an effect in which a group of notes is repeated, usually more softly, and perhaps at a different octave, to create an echo effect égal (Fr.) Equal eilend (Ger.) Hurrying ein wenig (Ger.) A little einfach (Ger.) Simple emporté (Fr.) Fiery, impetuous en animant (Fr.) Becoming very lively en cédant (Fr.) Yielding en ...
Before Western contact in East Asia, neither Japan nor China had a single word that encompasses music in a broad sense, but culturally, they often regarded music in such a fashion. [17] The closest word to mean music in Chinese, yue, shares a character with le, meaning joy, and originally referred to all the arts before narrowing in meaning. [17]
The musicologist Winton Dean has suggested that "music is probably the most difficult of the arts to criticise." [2] Unlike the plastic or literary arts, the 'language' of music does not specifically relate to human sensory experience – Dean's words, "the word 'love' is common coin in life and literature: the note C has nothing to do with breakfast or railway journeys or marital harmony."
However, if a song actually went into double time, say, for a repeat, a 60-second song would last for 30 seconds. doubling A doubler is a multi-instrumentalist, such as a sax player who also plays flute, a tuba player who also plays upright bass, or a clarinet player who also plays accordion.