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Heracles and Geryon on an Attic black-figured amphora with a thick layer of transparent gloss, c. 540 BC, now in the Munich State Collection of Antiquities.. Black-figure pottery painting (also known as black-figure style or black-figure ceramic; Ancient Greek: μελανόμορφα, romanized: melanómorpha) is one of the styles of painting on antique Greek vases.
Lekythos in Six's technique, Cabinet des Médailles, Paris (De Ridder 493). Six's technique is the modern name for a technique used by Attic black-figure vase painters that involves laying on figures in white or red on a black surface and incising the details so that the black shows through.
The Antimenes Painter was an Attic vase painter of the black-figure style, active between circa 530 and 510 BC. The real name of the Antimenes Painter is not known; his current name is an archaeological convention, derived from the Kalos inscription on a hydria in the archaeological museum of Leyden .
Early black-figure skyphos-krater, front side with swans, back with spiral ornaments and swans’ heads, ‘’circa’’ 630 BC; found at the Vourvas tumulus in Attica, National Museum, Athens. The Painter of Berlin A 34 was a vase painter during the pioneering period of Attic black-figure pottery .
The earliest bilingually painted vases, those with both styles, include specimens of eye-cups with a black-figure interior and a red-figure exterior. The introduction of this bilingual type and its specific decoration into Attic vase painting is attributed to Exekias. His eye-cup in Munich, dated 530–540 BC, is considered a masterpiece of the ...
This Attic amphora is painted in the black figure style, typical of all Panathenaic amphorae. [2] Stemming from Proto-Corinthian roots, black-figure style includes incised details with silhouetted figures on a glossy vase. The silhouetted figures are the men in the stadion who are nude, bearded, and muscular.
Black-figure is the most commonly imagined when one thinks about Greek pottery. It was a popular style in ancient Greece for many years. The black-figure period coincides approximately with the era designated by Winckelmann as the middle to late Archaic, from c. 620 to 480 BC.
The Painter of the Dresden Lekanis is the common name for a vase painter of the Attic black-figure style, active around 580–570 BC. He emigrated to Boeotia and is in fact identical with the Boeotian Horse-bird Painter. His conventional name is derived from his name vase, a lekanis at Dresden (Inv. ZV 1464).