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Acoustic sources within the "jet pipe" also contribute to the noise, mainly at lower speeds, which include combustion noise, and sounds produced by interactions of a turbulent stream with fans, compressors, and turbine systems. [1] The jet mixing sound is created by the turbulent mixing of a jet with the ambient fluid, in most cases, air.
Neuronal activity at the microscopic level has a stochastic character, with atomic collisions and agitation, that may be termed "noise." [4] While it isn't clear on what theoretical basis neuronal responses involved in perceptual processes can be segregated into a "neuronal noise" versus a "signal" component, and how such a proposed dichotomy could be corroborated empirically, a number of ...
Noise-generating aircraft propeller. Aircraft noise is noise pollution produced by an aircraft or its components, whether on the ground while parked such as auxiliary power units, while taxiing, on run-up from propeller and jet exhaust, during takeoff, underneath and lateral to departure and arrival paths, over-flying while en route, or during landing.
Sensory cravings, [13] including, for example, fidgeting, impulsiveness, and/or seeking or making loud, disturbing noises; and sensorimotor-based problems, including slow and uncoordinated movements or poor handwriting. Sensory discrimination problems, which might manifest themselves in behaviors such as things constantly dropped. [citation needed]
Noise pollution, or sound pollution, is the propagation of noise or sound with potential harmful effects on humans and animals.The source of outdoor noise worldwide is mainly caused by machines, transport and propagation systems.
Calming, focusing on music works for some. If a quick break does not relieve the problem, an extended rest is advised. People with sensory processing issues may benefit from a sensory diet of activities and accommodations designed to prevent sensory overload and retrain the brain to process sensory input more typically. It is important in ...
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The brain utilizes subtle differences in loudness, tone and timing between the two ears to allow us to localize sound sources. [10] Localization can be described in terms of three-dimensional position: the azimuth or horizontal angle, the zenith or vertical angle, and the distance (for static sounds) or velocity (for moving sounds). [ 11 ]