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Nautilus is a black-and-white photograph taken by Edward Weston in 1927 of a single nautilus shell standing on its end against a dark background. It has been called "one of the most famous photographs ever made" and "a benchmark of modernism in the history of photography." [1]
These people are also shrouded in the contrast made evident with the clean lines and black and white nature of his photos and photography as a medium. The people jump from their places, being the dark figures in the light of the sun that beams in from the left of the frame. Strand fills the image with his recognizable aesthetic.
Clearing Winter Storm, Yosemite National Park, California is a black and white photograph taken by Ansel Adams, c. 1937. It is part of a series of natural landscapes photographs that Adams took from Inspiration Point, at Yosemite Valley , since the 1930s.
A black and white camera or an infrared camera may be used to capture specific details. Still life photography usually depicts inanimate subject matter, typically commonplace objects which may be either natural or man-made. Still life is a broader category for food and some natural photography and can be used for advertising purposes.
Nature photography is a wide range of photography taken outdoors and devoted to displaying natural elements such as landscapes, wildlife, plants, and close-ups of natural scenes and textures. Nature photography tends to put a stronger emphasis on the aesthetic value of the photo than other photography genres, such as photojournalism and ...
The artistic career of Weston spanned more than forty years, from roughly 1915 to 1956. A prolific photographer, he produced more than 1,000 black-and-white photographs and some 50 color images. This list is an incomplete selection of Weston's better-known photographs.
The Black & White Audiovisual Festival (Portuguese: Festival Audiovisual Black & White) is a Portuguese arts festival which takes place in April. It celebrates the black & white aesthetics in film, photography and sound. It's located at Universidade Católica Portuguesa - Centro Regional da Foz – through the Escola das Artes in Oporto, Portugal.
The aesthetic may convey moods of eeriness, surrealness, nostalgia, or sadness, and elicit responses of both comfort and unease. [5] This image depicting an empty playground may elicit unease by being stripped of its expected context (that is, the presence of children).
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