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Chicago blues is a form of blues music that developed in Chicago, Illinois. It is based on earlier blues idioms, such as Delta blues , but is performed in an urban style . It developed alongside the Great Migration of African Americans of the first half of the twentieth century.
After World War II, new styles of electric blues became popular in cities such as Chicago, [93] Memphis, [94] Detroit [95] [96] and St. Louis. Electric blues used electric guitars, double bass (gradually replaced by bass guitar), drums, and harmonica (or "blues harp") played through a microphone and a PA system or an overdriven guitar amplifier.
The most renowned early recordings of boogies were made in Chicago with Clarence Pinetop Smith, who might have been influenced by the brothers Hersal Thomas and George W. Thomas from Houston, who were together in Chicago in the 1920s. [4] Chicago blues and boogie music continues to be popular today with the annual Chicago Blues Festival, and ...
Chicago becomes a "center for blues performance" in the city's large African-American community, [355] while a kind of piano-based blues called boogie-woogie becomes the most popular form of the blues. [10] The Golden Gate Quartet becomes one of the most popular recording artists in the country, beginning the era of greatest popularity for ...
Guitarist Buddy Guy performing at the Bonnaroo Music Festival in 2006. Chicago blues is a form of blues music developed in Chicago, Illinois, in the 1950s, in which the basic instrumentation of Delta blues—acoustic guitar and harmonica—is augmented with electric guitar, amplified bass guitar, drums, piano, harmonica played with a microphone and an amplifier, and sometimes saxophone.
The Chicago Blues Festival is an annual event held in June, [1] that features three days of performances by top-tier blues musicians, both old favorites and the up-and-coming. It is hosted by the City of Chicago Department of Cultural Affairs and Special Events (formerly the Mayor's Office of Special Events), and occurs in early June.
Current research suggests that Freddie Spruell is the first Delta blues artist to have been recorded; his "Milk Cow Blues" was recorded in Chicago in June 1926. [1] According to Dixon and Godrich (1981), Tommy Johnson and Ishmon Bracey were recorded by Victor on that company's second field trip to Memphis, in 1928.
Gospel, blues and jazz were also diversifying during this period, with new subgenres evolving in different cities like Memphis, New York, New Orleans and Chicago. Jazz quickly replaced the blues as American popular music, in the form of big band swing, a kind of dance music from the early 1930s. Swing used large ensembles, and was not generally ...