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Chicago blues is a form of blues music that developed in Chicago, Illinois. It is based on earlier blues idioms, such as Delta blues , but is performed in an urban style . It developed alongside the Great Migration of African Americans of the first half of the twentieth century.
After World War II, new styles of electric blues became popular in cities such as Chicago, [93] Memphis, [94] Detroit [95] [96] and St. Louis. Electric blues used electric guitars, double bass (gradually replaced by bass guitar), drums, and harmonica (or "blues harp") played through a microphone and a PA system or an overdriven guitar amplifier.
The most renowned early recordings of boogies were made in Chicago with Clarence Pinetop Smith, who might have been influenced by the brothers Hersal Thomas and George W. Thomas from Houston, who were together in Chicago in the 1920s. [4] Chicago blues and boogie music continues to be popular today with the annual Chicago Blues Festival, and ...
Classic female urban or vaudeville blues singers were popular in the 1920s, among them Mamie Smith, Ma Rainey, Bessie Smith, and Victoria Spivey. Mamie Smith, more a vaudeville performer than a blues artist, [36] was the first African-American to record a blues in 1920; her "Crazy Blues" sold over 75,000 copies in its first month. [37]
Chicago becomes a "center for blues performance" in the city's large African-American community, [355] while a kind of piano-based blues called boogie-woogie becomes the most popular form of the blues. [10] The Golden Gate Quartet becomes one of the most popular recording artists in the country, beginning the era of greatest popularity for ...
Current research suggests that Freddie Spruell is the first Delta blues artist to have been recorded; his "Milk Cow Blues" was recorded in Chicago in June 1926. [1] According to Dixon and Godrich (1981), Tommy Johnson and Ishmon Bracey were recorded by Victor on that company's second field trip to Memphis, in 1928.
Adapted from August Wilson’s Broadway play of the same name, the film explores an intense 1927 Chicago recording session between Rainey and her band members, with Davis delivering an ...
In 1925, Lester Melrose sold his share of the store and became a freelance A&R man, combining the roles of talent scout and record producer. He started to promote many blues artists who became popular, recording them mainly in Chicago. He worked for several record labels simultaneously in the 1930s, including RCA Victor and its subsidiary ...