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Arjuna bows to the Vishvarupa of Vishnu-Krishna. Vishvarupa (Sanskrit: विश्वरूप, romanized: Viśvarūpa, lit. 'universal form'), [1] also spelt as Vishwaroopa and known as Virāḍrūpa, is an iconographical form and theophany of a Hindu deity, most commonly associated with Vishnu in contemporary Hinduism.
Tridevi is the supreme form of Adi Parashakti. Her eternal abode is called Manidvipa. [22] The Markandeya Purana describes the ten-headed Kāli as the Unborn, the Eternal, Mahamari and Lakshmi. [23] In the Devi Bhagavata Purana, the four-armed Vishnu describes Mahā Kāli as Nirguna, creatrix and destructrix, beginningless and deathless. [24]
[26] [27] [28] The items he holds in various hands vary, giving rise to twenty four combinations of iconography, each combination representing a special form of Vishnu. Each of these special forms is given a special name in texts such as the Agni Purana and the Padma Purana. These texts, however, are inconsistent. [29]
Vaishnavism is centred on the devotion of Vishnu and his avatars. According to Schweig, it is a "polymorphic monotheism, i.e. a theology that recognises many forms (ananta rupa) of the one, single unitary divinity," since there are many forms of one original deity, with Vishnu taking many forms. [78]
'twenty-four forms') [1] is the representation of twenty-four aspects of the deity Vishnu in Hindu iconography. [2] These aspects are described to represent the central tenets of the Pancharatra tradition. They are believed to be the most significant of the thousand names of the deity featured in the Vishnu Sahasranama. [3]
Narayana (Sanskrit: नारायण, IAST: Nārāyaṇa) is one of the forms and epithets of Vishnu. In this form, the deity is depicted in yogic slumber under the celestial waters, symbolising the masculine principle and associated with his role of creation. [1] [2] He is also known as Purushottama, and is considered the Supreme Being in ...
An alternate theory dates Jayakhya-Samhita to c. 600–850 CE and suggests that the three-faced Vishnu images of Gupta era as well as Gupta icons of Vishvarupa (another form of Vishnu) inspired the iconography of the Vaikuntha Chaturmurti, which developed in Kashmir in the 8th century and attached the fourth head on the back of the older icon ...