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Fantasy cartography, fictional map-making, or geofiction is a type of map design that visually presents an imaginary world or concept, or represents a real-world geography in a fantastic style. [1] Fantasy cartography usually manifests from worldbuilding and often corresponds to narratives within the fantasy and science fiction genres.
Worldbuilding is the process of constructing an imaginary world or setting, sometimes associated with a fictional universe. [1] Developing the world with coherent qualities such as a history, geography, culture and ecology is a key task for many science fiction or fantasy writers. [2]
Geocriticism frequently involves the study of places described in the literature by various authors, but it can also study the effects of literary representations of a given space. An example of the range of geocritical practices can be found in Tally's collection Geocritical Explorations: Space, Place, and Mapping in Literary and Cultural Studies.
This concept has since been widely cited and the concept of a boundary object has been adopted in computer science (particularly computer supported cooperative work), information science, [4] and management, particularly when considering cross-disciplinary work and collaboration, [5] either within one organization or with the boundary object helping to focus the efforts of multiple organizations.
Edward Said mentions that when Islam appeared in Europe in the Middle Ages, the response was conservative and defensive. Ó' Tuathail has argued that geopolitical knowledges are forms of imagined geography. Using the example of Halford Mackinder's heartland theory, he has shown how the presentation of Eastern Europe / Western Russia as a key ...
It is influenced by the tropes of science fiction, fantasy, and horror. Perdido Street Station: 2000: N Continent: Andrzej Sapkowski: The fantasy setting of The Witcher franchise. The Witcher: 1986: C F G N T V Corona: R. A. Salvatore: World of The DemonWars Saga and The Highwayman: The Demon Awakens: 1997: N Darkover: Marion Zimmer Bradley
This concept was already current in science fiction in 1942, with Trantor in Isaac Asimov's Foundation series. [3] When made public, Doxiadis' idea of ecumenopolis seemed "close to science fiction", but today is "surprisingly pertinent" according to geography researchers Pavle Stamenovic, Dunja Predic and Davor Eres, [ 1 ] especially as a ...
It directly extends from the experimentation of the New Wave science fiction movement while also borrowing from fantasy, psychological fiction, philosophical fiction and other genres or styles of literature. Historical examples of the genre were partially codified in Feeling Very Strange: The Slipstream Anthology, while contemporary examples ...