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The Ottoman Divan poetry tradition embraced the influence of the Persian and, to a lesser extent, Arabic literatures. As far back as the pre-Ottoman Seljuk period in the late 11th to early 14th centuries CE, this influence was already being felt: the Seljuks conducted their official business in the Persian language, rather than in Turkish, and the poetry of the Seljuk court was highly ...
The Ottoman archives are a collection of historical sources related to the Ottoman Empire and a total of 39 nations whose territories one time or the other were part of this Empire, including 19 nations in the Middle East, 11 in the EU and Balkans, three in the Caucasus, two in Central Asia, Cyprus, as well as the Republic of Turkey.
Early Ottoman prose, before the 19th century CE, never developed to the extent that the contemporary Divan poetry did. A large part of the reason for this was that much prose of the time was expected to adhere to the rules of seci, or rhymed prose, a type of writing descended from Arabic literature and which prescribed that between each adjective and noun in a sentence, there must be a rhyme.
The Ottoman form of Turkish, which forms the basis of much of the written corpus, was highly influenced by Persian and Arabic literature, [1] and used the Ottoman Turkish alphabet. The history of the broader Turkic literature spans a period of nearly 1,300 years. [2]
Bâkî lived during the height of the Ottoman Empire, and this affected his poetry greatly. Love, the joy of living, and nature are the primary subjects of his poems. Although almost no Sufi influence is found in his poetry—as it is in many other Ottoman-era poets—his concept of love as revealed in his poetry was not entirely divorced from the Sufi concept t
The archives of the Ottoman Bank chronicled a process beginning with the establishment of the bank in 1856, through the 1930s. In addition to documenting the history of banking and finance, the archive encompassed a broader research area that included the process of modernization in Europe , the Mediterranean and the Middle East .
The Ottoman Turks: An Introductory History to 1923. Longman. ISBN 978-0-582-25655-2. McMeekin, Sean (2010). The Berlin-Baghdad Express: The Ottoman Empire and Germany's Bid for World Power. Cambridge, MA: Belknap Press of Harvard University Press. ISBN 978-0-674-05739-5. Pamuk, Şevket (2000). A Monetary History of the Ottoman Empire. New York ...
To some extent, the movement can be seen as bearing some of the characteristics of postmodern literature. The best-known poets writing in the "Second New" vein were Turgut Uyar (1927–1985), Edip Cansever (1928–1986), Cemal Süreya (1931–1990), Ece Ayhan (1931–2002), Sezai Karakoç (1933- ) and İlhan Berk (1918–2008).