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This is an accepted version of this page This is the latest accepted revision, reviewed on 16 December 2024. Cultural belief of 19th-century American expansionists For other uses, see Manifest Destiny (disambiguation). American Progress (1872) by John Gast is an allegorical representation of the modernization of the new west. Columbia, a personification of the United States, is shown leading ...
American Progress, a painting of profound historical significance, has become a seminal example of American Western Art.Serving as an allegory for manifest destiny and American westward expansion, this 11.50 by 15.75 inches (29.2 cm × 40.0 cm) masterpiece was commissioned in 1872 by George Crofutt, a publisher of American Western travel guides and has since been frequently reproduced.
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In the 19th century, Manifest Destiny was driven by ideological, economic and demographic forces: a growing population, belief in cultural superiority and economic opportunity. These conditions ...
Ideologies like Manifest destiny justified the violent expansion westward, leading to the passage of the Indian Removal Act of 1830 and armed clashes. The dehumanization and demonization of Native Americans, epitomized in the United States Declaration of Independence , underscored a pervasive attitude that underpinned colonial and post-colonial ...
Deborah Madsen argued that the effects of American exceptionalism have changed over time, from the annexation of Native American lands then to the ideas of Manifest destiny (which encompassed the Mexican–American War and the purchases of land in the 19th century).
Senator Benton's greatest concern, however, was the territorial expansion of the United States to meet its "manifest destiny" as a continental power. He originally considered the natural border of the U.S. to be the Rocky Mountains but expanded his view to encompass the Pacific coast.
Seven countries, an ocean and over a thousand miles stand between them and their dreams for a future