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"Caravan" is an American jazz standard by Juan Tizol and Duke Ellington, first performed by Ellington in 1936. Irving Mills wrote lyrics, but they are rarely sung. The song has regained popularity since being featured prominently in the 2014 film Whiplash .
Songs for Oblivion Fishermen is a live album of the progressive rock group Caravan. The material was recorded for the BBC, spanning the years 1970 to 1974. The material was recorded for the BBC, spanning the years 1970 to 1974.
"Caravan" is a song written by Northern Irish singer-songwriter Van Morrison and included on his 1970 album, Moondance. It was a concert highlight for several years and was included as one of the songs on Morrison's 1974 acclaimed live album, It's Too Late to Stop Now .
Canterbury Tales: The Best of Caravan is the 1976 compilation album released by Caravan. It was expanded, repackaged and released in 1994. It was expanded, repackaged and released in 1994. [ 1 ]
They regrouped in February the following year [5] and recorded the songs on the album mostly live onto 8-track tape. The highlight of the sessions was a fourteen-minute jazz-rock piece assembled from various sections contributed by the band, called "Can't Be Long Now" (listed as "For Richard" in the 1973 live album Caravan and the New Symphonia ...
Cool Water is the eleventh album by English progressive rock band Caravan, released in 1994. It is a compilation of old recordings, including their unreleased 2nd Arista album shelved in 1978. It is a compilation of old recordings, including their unreleased 2nd Arista album shelved in 1978.
Waterloo Lily is the only album by Caravan with Steve Miller (brother of Phil Miller) as the keyboard player.Miller brought a more jazz-focused sound to the album than had been heard on the previous album [1] through his stylings on the Wurlitzer piano rather than the Hammond organ favored by previous keyboardist Dave Sinclair.
"Radio Show Introduction" – 0:30 "The Love In Your Eye / To Catch Me A Brother / Subsultus / Debouchement / Tilbury Kecks" (Richard Coughlan, Pye Hastings, Richard Sinclair) – 15:42