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The work is made from paper, glass, a metal frame, a metal chain, a magnifying glass, and a painted ladder. The word YES is printed on the piece of paper. [1] The work is interactive, with the viewer (or participant) expected to climb the ladder and use a magnifying glass to look at the word "YES" which is printed on paper beneath a sheet of glass suspended from the ceiling.
Margaret Turner Hicks (September 28, 1923 – August 3, 2006) was a producer and promoter of Miniature Art. Favoring representational art, Hicks painted landscapes and still lifes and the occasional portrait, using small brushes and a magnifying glass to achieve a high level of detail in paintings that were often just 2 to 4 inches wide.
Magnifying glass on an arm lamp. The magnification of a magnifying glass depends upon where it is placed between the user's eye and the object being viewed, and the total distance between them. The magnifying power is equivalent to angular magnification (this should not be confused with optical power, which is a different
Portrait of a Man with a Magnifying Glass, possibly Pieter Haaringh: 1665: Oil on canvas: 91.4 x 74.3: Metropolitan Museum of Art, New York: 311a: Companion piece to 311b Portrait of a Woman with a Carnation, possibly Lysbet Jansdr Delft: 1665: Oil on canvas: 92.1 x 74.6: Metropolitan Museum of Art, New York: 311b: Companion piece to 311a
The centerpiece of the installation is a magnifying glass on a pedestal with a primary lens that miniaturizes Hollywood war films to fit on the head of a pin. Holland Cotter described the piece “a tour-de-force.” [4] History's Garden 2006 was the next installation using a similar microprojection system. Mounting a prism and lens on a ...
The art gives the impression that Niobe used a magnifying glass to enlarge certain aspects of the leaves and flowers. The amplified details depict unimaginable creatures from other dimensions. Niobe recalled the tropical nature of her childhood and devoted to the creation of strange flowerings.
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