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Ivan Tišov's paintings of worship, theology, art and science decorate the ceilings in the Croatian Institute of History in Zagreb. Although largely in the shadow of the other greats of Croatian art at the time (primarily Vlaho Bukovac, his work has an essentially timeless quality. He was a skilled colourist, and his work contains originality ...
Georgette Chen, Sweet Rambutans, 1965, Oil on canvas. The Nanyang style of painting, also known as Nanyang art or the Nanyang school, was a modern art movement and painting tradition initially practised by migrant Chinese painters in Singapore from the late-1940s to 1960s.
Dynamism of a Dog on a Leash (Italian: Dinamismo di un cane al guinzaglio), sometimes called Dog on a Leash [2] or Leash in Motion, [3] is a 1912 oil painting by Italian Futurist painter Giacomo Balla. [4] It was influenced by the artist's fascination with chronophotographic studies of animals in motion.
Oskar Rabin. "Roses on Preobrazhensky Val" (1966) Oscar Rabin (Russian: Оскар Яковлевич Рабин; Moscow, 2 January 1928 – Florence, 7 November 2018) was a major Russian painter and activist who defined the core of the Soviet Nonconformist Art movement, [1] affecting the careers of countless painters and sculptors of that era and its aftermath.
Ba Nyan (Burmese: ဘဉာဏ်, pronounced [ba̰ ɲàɰ̃]; 1897 – 12 October 1945) was a Burmese painter who has been called the greatest name in modern painting in Myanmar. [1] His oil paintings were quiet and academic in their style, but display occasional flashes of virtuosity and brilliance in bold, impasto brushstroke and skillful ...
Musée National d'Art Moderne, Paris Oil paint on canvas board 23.8 x 32.3 More images: 1901 Munich – The Isar: Lenbachhaus, Munich 32.5 x 23.6 More images: 1901 Clear Air: Musée National d'Art Moderne, Paris Oil and tempera on canvas 34 x 52.3 More images: 1901 Sketch for Akhtyrka – Fall: Lenbachhaus, Munich Oil paint on canvas 23.6 x 32. ...
Oil on canvas: 102.24 × 153.35 cm: Wadsworth Atheneum, Hartford, Connecticut Moses Viewing the Promised Land: 1846: Oil on academy board: 25.4 × 31.75 cm: Private collection Storm in the Mountains: 1847: Oil on canvas: 75.5 × 62.8 cm: Cleveland Museum of Art: July Sunset [2] (also July Sunset, Berkshire County, Massachusetts [3]) 1847: Oil ...
This is why their pictures lack the all-penetrating light that eclipses colours and contours and gives rise to the 'vibrism' peculiar to Impressionist painting. The independent identity of the individual figures is unimpaired." [6] Giovanni Fattori, Silvestro Lega painting at Riva al Mare, 1866–67, Oil on panel, 12.5 x 21 cm.
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