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Christ and the Adulteress, also called Christ and the Woman Taken in Adultery, and The Adulteress Brought before Christ, is an oil painting usually attributed to Titian and painted early in his career, c. 1508-1510. It hangs in the Kelvingrove Art Gallery and Museum, in Glasgow. [1]
Christ with the Woman Taken in Adultery, by Guercino, 1621 (Dulwich Picture Gallery) Christ and Sinner, 1873 by Henryk Siemiradzki Christ and the Woman Taken in Adultery, 1565 by Pieter Bruegel, oil on panel, 24 cm × 34 cm (9.4 in × 13.4 in) Christ and the woman taken in adultery, drawing by Rembrandt
Pages in category "Paintings of Christ and the woman taken in adultery" The following 11 pages are in this category, out of 11 total. This list may not reflect recent changes .
Christ and the Adulteress (German: Christus und die Ehebrecherin), also titled Christ and the Woman Taken in Adultery, or The Adulteress before Christ, is an oil painting by Titian, made about 1520, in the Kunsthistorisches Museum, Vienna, depicting Jesus and the woman taken in adultery.
Jesus and the woman taken in adultery is a biblical episode from John 8:1–8:20 where Jesus encounters an adulteress brought before Pharisees and scribes, which has been depicted by many artists. Such a crime was punishable by death by stoning ; however, in the scene, Jesus stoops to write (in Dutch) he that is without sin among you, let him ...
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The concept for the future canvas, entitled Christ and the Woman Taken in Adultery, was first conceived in 1868, [11] [12] influenced by Alexander Andreyevich Ivanov's painting The Appearance of Christ Before the People. Polenov set himself the task of creating "Christ not only coming, but already in the world, making his way among the people".
Christ and the Woman Taken in Adultery is an episode from the New Testament. Christ and the Woman Taken in Adultery or The Woman Taken in Adultery may also refer to: Christ and the Woman Taken in Adultery, a painting of 1917 by Max Beckmann; Christ and the Woman Taken in Adultery, a painting of 1565 by Pieter Bruegel the Elder