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  2. Pauline Boty - Wikipedia

    en.wikipedia.org/wiki/Pauline_Boty

    Pauline Boty (6 March 1938 – 1 July 1966) was a British painter and co-founder of the 1960s' British Pop art movement of which she was the only acknowledged female member.

  3. Yayoi Kusama - Wikipedia

    en.wikipedia.org/wiki/Yayoi_Kusama

    In November 2008, Christie's New York sold a 1959 white Infinity Net painting formerly owned by Donald Judd, [21] No. 2, for US$5.1 million, then a record for a living female artist. [141] In comparison, the highest price for a sculpture from her New York years is £72,500 (US$147,687), fetched by the 1965 wool, pasta, paint and hanger ...

  4. Marjorie Strider - Wikipedia

    en.wikipedia.org/wiki/Marjorie_Strider

    Born in 1931 in Guthrie, Oklahoma, [1] Strider studied art at the Kansas City Art Institute before moving to New York City in the early 1960s. Strider's three-dimensional paintings of beach girls with "built out" curves were prominently featured in the Pace Gallery's 1964 "International Girlie Show" alongside other "pin-up"-inspired pop art by Rosalyn Drexler, Roy Lichtenstein, Andy Warhol ...

  5. Mel Ramos - Wikipedia

    en.wikipedia.org/wiki/Mel_Ramos

    Along with Claes Oldenburg, James Rosenquist, Tom Wesselmann and Wayne Thiebaud, Ramos produced art works that celebrated aspects of popular culture as represented in mass media. His paintings have been shown in major exhibitions of pop art in the U.S. and in Europe and reproduced in books, catalogs, and periodicals throughout the world.

  6. Pop art - Wikipedia

    en.wikipedia.org/wiki/Pop_art

    Pop art is an art movement that emerged in the United Kingdom and the United States during the mid- to late-1950s. [1] [2] The movement presented a challenge to traditions of fine art by including imagery from popular and mass culture, such as advertising, comic books and mundane mass-produced objects.

  7. Marisol Escobar - Wikipedia

    en.wikipedia.org/wiki/Marisol_Escobar

    Like many artists feared, this female sensibility was the cause for her to be marginalized by critics as outside of the conceptual framework of Pop Art. [32] Marisol's wit was disregarded as feminine playfulness, therefore, lacking the objectivity and expressionless attitude of male pop artists. [32]

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