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The Idiot (pre-reform Russian: Идіотъ; post-reform Russian: Идиот, romanized: Idiót) is a novel by the 19th-century Russian author Fyodor Dostoevsky.It was first published serially in the journal The Russian Messenger in 1868–69.
Prince Lev Nikolayevich Myshkin (pre-reform Russian: князь Левъ Николаевичъ Мышкинъ; post-reform Russian: князь Лев Николаевич Мышкин, romanized: knyazʹ Lev Nikoláyevich Mýshkin) is the main protagonist of Fyodor Dostoevsky's 1869 novel The Idiot. Dostoevsky wanted to create a character that ...
The Idiot (Japanese: 白痴, Hepburn: Hakuchi) is a 1951 Japanese film directed by Akira Kurosawa from a screenplay co-written with Eijirō Hisaita . It is based on the 1869 novel The Idiot by Fyodor Dostoevsky. [3] The original 265-minute version of the film, faithful to the novel, has been long lost.
In the first triangle, the two male protagonists represent an appeal to one or other of the contradictory voices in the inner dialogue of Nastasya Filippovna's soul. [2] According to Mikhail Bakhtin, "Nastasya Filippovna's voice is divided between the voice that pronounces her a guilty 'fallen woman' and the voice that vindicates and accepts her."
Dostoevsky's works of fiction include 16 novels and novellas, 16 short stories, and 5 translations. Many of his longer novels were first published in serialised form in literary magazines and journals. The years given below indicate the year in which the novel's final part or first complete book edition was published.
It was adapted by Edmund Barclay from the novel The Idiot by Fyodor Dostoevsky. [2] Barclay's adaptation has been called a "radio masterpiece". [3] It was one of a series of classical novel adaptations by Barclay for the Australian Broadcasting Corporation (ABC); Leslie Rees listed The Idiot among the best of these. [4]
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The Idiot (Russian: Идиот), is a 1959 Soviet film directed by Ivan Pyryev. It is based on Part 1 of the eponymous 1869 novel by Fyodor Dostoevsky ; Yury Yakovlev declined to play the title character in a sequel which was never made.
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