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Tonight is the sixth album by FM, a progressive rock group from Toronto, Ontario, Canada, released on Duke Street Records in 1987. It was their last studio album for 28 years. Further albums of live and demo material were issued between this period. It reached #87 on the Canadian charts, November 28, 1987 [1]
FM Static was a Canadian Christian rock duo based in Toronto, Ontario. The band was formed in 2003 as a side project for Thousand Foot Krutch. The band consisted of Trevor McNevan and Steve Augustine. The original lineup included John Bunner on guitar and Justin Smith on bass. [1]
Users of Ultimate Guitar are able to view, request, vote and comment on tablatures in the site's forum. Guitar Pro and Power Tab files can be run through programs in order to play the tablature. Members can also submit album, multimedia and gear reviews, as well as guitar lessons and news articles. Approved works are published on the website.
Trevor McNevan – vocals, guitar, guitar recording, art direction; Steve Augustine – drums; FM Static – producer, additional engineering; Mike Noack at Swordfish Digital Audio – engineering; Zack Hodges at Electrokitty – engineering; JR McNeely – mixing; Brian Gardner at Bernie Grundman Mastering – mastering; Aaron Powell ...
"Tonight" by FM Static, from the album Critically Ashamed "Tonight" by Freezepop, from the album Fancy Ultra•Fresh "Tonight" by the Godfathers, from the album Alpha Beta Gamma Delta "Tonight" by Hard-Fi, from the album Once Upon a Time in the West "Tonight" by Inna, from the album Party Never Ends "Tonight" by James, a B-side of the single ...
It should only contain pages that are FM Static songs or lists of FM Static songs, as well as subcategories containing those things (themselves set categories).
"Happy Birthday to You", or simply "Happy Birthday", is a song traditionally sung to celebrate a person's birthday. According to the 1998 Guinness World Records , it is the most recognized song in the English language, followed by " For He's a Jolly Good Fellow ".
The parallel chord (but not the counter parallel chord) of a major chord will always be the minor chord whose root is a minor third down from the major chord's root, inversely the parallel chord of a minor chord will be the major chord whose root is a minor third up from the root of the minor chord.
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