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Unlike high bar and rings in MAG, gymnasts may not be lifted to the uneven bars to begin their routines. They may mount the apparatus with either a simple or a difficult skill on either the high or low bar; running mounts and springboards are permitted. [3] Once the routine has started, the coach may not physically interfere with the athlete.
Shaposhnikova invented a complex transition skill on the uneven bars—a clear hip circle on the low bar with flight backward to the high bar—and it is named after her in the Code of Points. The skill, sometimes referred to colloquially as the "Shaposh", is still widely performed today; it is credited as a D element in the 2013–16 Code of ...
Fabian Hambüchen at the horizontal bar A bar grip (front view). The horizontal bar, also known as the high bar, is an apparatus used by male gymnasts in artistic gymnastics.It traditionally consists of a cylindrical metal (typically steel) bar that is rigidly held above and parallel to the floor by a system of cables and stiff vertical supports.
Simone Biles submitted a new skill on the uneven bars for evaluation at the Paris Olympics. She currently has five skills named after her in the Code of Points.
She then posted a career-high 39.70 all-around score during a tri-meet against Utah State and Bowling Green (9.950 on vault, 9.975 on uneven bars, 9.925 on balance beam, and 9.850 on floor exercise). [12] In March 2014, Peszek competed at the Pac-12 Conference Championship. She contributed scores of 9.825 on vault, 9.900 on uneven bars, 9.925 ...
The Korbut flip is a gymnastics skill performed on either of two different apparatus. Both were first performed internationally by the Soviet gymnast Olga Korbut. [1]The more spectacular version of the skill used to be performed on the uneven bars, where the gymnast, from a stand on the high bar, performs a back flip and regrasps the bar.
The Gienger is a gymnastics skill performed on the uneven bars for women and the high bar for men. It is named after German gymnast Eberhard Gienger. The release move looks like a half-turn layout "flyaway" above the bar to catch the same bar. Its COP reference is 3.405 and it is a D element.
[1] [2] It may be performed in some form on all apparatuses, but is most commonly performed on the women's uneven bars [3] and on the men's rings, parallel bars, and horizontal bar. [4] The kip is an important technique that is used as both a mount and an element or connecting technique in a bar routine.