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Fieldstone is a naturally occurring type of stone, which lies at or near the surface of the Earth. Fieldstone is a nuisance for farmers seeking to expand their land under cultivation, but at some point it began to be used as a construction material. [1] [2] [3] Strictly speaking, it is stone collected from the surface of fields where it occurs ...
Most of the columns are now thrown on the mosaic floor, which was largely preserved, in a manner that suggests deliberate destruction by the occupiers of the place. In the eastern wall of the church, the southern apse was preserved out of three. The threshold stone and part of the walls that surrounded the church were also beautifully preserved.
There are two main types of mosaic surviving from this period: wall mosaics in churches, and sometimes palaces, made using glass tesserae, sometimes backed by gold leaf for a gold ground effect, and floor mosaics that have mostly been found by archaeology. These often use stone pieces, and are generally less refined in creating their images.
To attain flat ellipsoidal cobbles, the paving stones are either cut by machine and have their edges smoothed in a drum mixer, or they are manually broken down and trimmed underneath to improve their stability. They are cut to be 6 to 12 cm long and 2 to 3 cm wide. The depth of each stone needs to be at least 2/3 of its length.
A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. [1] Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world.
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Tesserae of a mosaic of doves drinking at a golden basin, 1st century AD, National Archaeological Museum, Naples, Italy. A tessera (plural: tesserae, diminutive tessella) is an individual tile, usually formed in the shape of a square, used in creating a mosaic. It is also known as an abaciscus or abaculus.
This mosaic is depicted in Hans Holbein's The Ambassadors. The general style of works of the Cosmati school is more closely related to Romanesque art , even though some of the buildings they worked in are Gothic , as in their main lines are their larger structures, especially in the elaborate altar-canopies, with their pierced geometrical tracery.
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