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Art historian Dawn Ades writes, "Far from being inferior, or purely decorative, crafts like textiles or ceramics, have always had the possibility of being the bearers of vital knowledge, beliefs and myths." [51] Recognizable art markets between Natives and non-Natives emerged upon contact, but the 1820–1840s were a highly prolific time.
The materials used in Kwakwaka'wakw art include wood, horn, bark, shell, animal bone and various pigments. For wood, western red cedar (Thuja plicata) is preferred for large projects, as it grows in abundance along the Northwest coast. Yellow cedar (Callitropsis nootkatensis) was used for smaller objects. The wood is sometimes oiled for smaller ...
A panel painting is a painting made on a flat panel of wood, either a single piece or a number of pieces joined together. Until canvas became the more popular support medium in the 16th century, panel painting was the normal method, when not painting directly onto a wall ( fresco ) or on vellum (used for miniatures in illuminated manuscripts ).
Marquetry (also spelled as marqueterie; from the French marqueter, to variegate) is the art and craft of applying pieces of veneer to a structure to form decorative patterns or designs. The technique may be applied to case furniture or even seat furniture, to decorative small objects with smooth, veneerable surfaces or to freestanding pictorial ...
Grant Wood's boyhood home, in Cedar Rapids, Iowa, is listed as one of the most endangered historic sites in Iowa. [2]Wood was born in rural Iowa, 4 mi (6.43 km) east of Anamosa, on February 13, 1891, the son of Hattie DeEtte Weaver Wood and Francis Maryville Wood.
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Critics have commented on the juxtaposition of these women and the mythic painting of George Washington portrayed in one of his wartime feats. Based on Tripp Evans' biography Grant Wood, A Life (2010), Henry Adams in his review says that Wood's painting Daughters of Revolution depicts not women but men: the Founding Fathers as cross-dressing figures, who stand in front of a recreation of ...
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