Search results
Results from the WOW.Com Content Network
The name Mirkwood derives from the forest Myrkviðr of Norse mythology. 19th-century writers interested in philology, including the folklorist Jacob Grimm and the artist and fantasy writer William Morris, speculated romantically about the wild, primitive Northern forest, the Myrkviðr inn ókunni ("the pathless Mirkwood") and the secret roads across it, in the hope of reconstructing supposed ...
J. R. R. Tolkien's fantasy books on Middle-earth, especially The Lord of the Rings and The Silmarillion, drew on a wide array of influences including language, Christianity, mythology, archaeology, ancient and modern literature, and personal experience.
Tolkien and the Invention of Myth: A Reader is a 2004 collection of scholarly essays on J. R. R. Tolkien's writings on Middle-earth, edited by Jane Chance.It has been warmly welcomed by critics, though some of the student contributions are less useful than the revised journal articles, conference papers and lectures by the more experienced essayists, who include the established Tolkien ...
"Tolkien's legendarium" is defined narrowly in John D. Rateliff's The History of The Hobbit as the body of Tolkien's work consisting of: [T 6] The Book of Lost Tales [T 6] The Sketch of the Mythology and contemporary alliterative verses [T 6] The 1930 Quenta Noldorinwa and first Annals [T 6] The 1937 Quenta Silmarillion and later Annals [T 6]
Tolkien stated that he wanted to create a mythology evocative of England, not of Italy. Scholars have noted aspects of his work, such as the plants of Ithilien, which are clearly Mediterranean but not specifically classical. Tolkien's fiction was brought to a new audience by Peter Jackson's film version of The Lord of the Rings.
Fantasy before Tolkien: The Blue Parrot by H. J. Ford, for Andrew Lang's 1907 The Olive Fairy Book. J. R. R. Tolkien was an English author and philologist of ancient Germanic languages, specialising in Old English; he spent much of his career as a professor at the University of Oxford. [13]
The book discusses Tolkien's inspiration in creating the world of Middle-earth and the writing of works including The Hobbit, The Lord of the Rings, and The Silmarillion.A recurrent theme is that of Tolkien's detailed linguistic studies (particularly of Old Norse and Old English) and the creation of languages (such as Sindarin and Khuzdul) which feature prominently throughout his works.
Tolkien was not the first author to create fictional worlds, as George MacDonald and H. Rider Haggard had done so, and were praised for their "mythopoeic" gifts by Tolkien's friend and fellow-Inkling C. S. Lewis. [19] Tolkien however went much further, spending many years developing what has been called a mythology for England, starting in 1914.