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Lamentation of Christ is an Early Netherlandish panel painting made 1455–1460 by Flemish painter Dirk Bouts of the Lamentation of Christ. [1] the picture was bequeathed to the Louvre Museum by Constant Mongé-Misbach in 1871, at which time it was misattributed to Rogier van der Weyden. [2] [3] It remains in that museum's collection as RF 1 ...
Dieric Bouts [note 1] (born c. 1415 – 6 May 1475) [2] was an Early Netherlandish painter. Bouts may have studied under Rogier van der Weyden , and his work was influenced by van der Weyden and Jan van Eyck .
Last Supper by Dieric Bouts, 1464-1467. The Last Supper of Jesus and the Twelve Apostles has been a popular subject in Christian art, [1] often as part of a cycle showing the Life of Christ. Depictions of the Last Supper in Christian art date back to early Christianity and can be seen in the Catacombs of Rome. [2] [3]
Altarpiece of the Holy Sacrament or Triptych of the Last Supper is a 1464–1468 dated folding triptych with at least five panel paintings attributed to the Flemish painter Dieric Bouts, now reassembled and held at its location of origin in the eastern choir chapel of St. Peter's Church, Leuven, Belgium.
Dirk Bouts, Triptych with Scenes from the Life of the Virgin, c. 1445, oil on panel, 80 × 217 cm (31 × 85 in), Museo del Prado, Madrid. [1]The Triptych with Scenes from the Life of the Virgin is an oil painting on panel by the Early Netherlandish painter Dieric Bouts.
A very similar c 1470 work attributed to Bouts, is comparable in composition, colorisation and tone, and is today in the London National Gallery. [11] In this work Bouts shifts the emphasis and presents both Christ and Mary in the tradition, with Mary now presented as the Woman of Sorrow". [7]
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The Pharisee Nicodemus supports Christ as he is lowered, and can be identified by his similarity to Simon the Pharisee in another canvas attributed to Bouts, Christ in the House of Simon. [12] The Virgin wears a white headdress and a dark blue dress with a yellowish mantle , and holds Christ's arm just above his wrist as if afraid to let go of ...