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A plaster relief picture made from shikkui. Shikkui (漆喰) is an ecological nontoxic Japanese lime plaster primarily made out of hydrated lime and calcium carbonate coming from reprocessed eggshells. It is mainly used for surface coatings of walls and ceilings in housing construction.
Using a removal tool, a sort of awl, the painting and the intonachino attached to the cloth and glue covering are then detached, from the bottom up. The back of the fresco is thinned to remove excess lime and reconstructed with a permanent backing made from two thin cotton cloths, called velatini, and a heavier cloth with a layer of glue.
Fresco paintings, a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall.
The paints used can e.g. be casein paint, tempera, oil paint, silicate mineral paint. If the pigments are mixed with lime water or lime milk and applied to a dry plaster the technique is called lime secco painting. The secco technique contrasts with the fresco technique, where the painting is executed on a layer of wet plaster.
The buon fresco technique consists of painting with pigment ground in water on a thin layer of wet, fresh, lime mortar or plaster, for which the Italian word is intonaco. Because of the chemical makeup of the plaster, a binder is not required. But, some artists used lime as a binding medium for pigment to slow the drying process of the plaster ...
The Gambier Parry process is a development of the classical technique of fresco for painting murals, named for Thomas Gambier Parry. True fresco is the technique of painting on fresh lime plaster whereby the pigments are fixed by the carbonatation of the lime (calcium hydroxide). The technique requires no other binding medium and the fixing ...
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