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The painting depicts the moment when the god Apollo, identifiable by the crown of laurel on his head, visits Vulcan, who is found making weapons for war. The god Apollo tells Vulcan that his wife, Venus, is having an affair with Mars, the god of war. For this reason, the other figures in the room are looking in surprise at the god who has just ...
Apollo as Victor over Pan; Apollo in the Forge of Vulcan; B. The Battle Between Love and Chastity; The Bay of Baiae, with Apollo and the Sibyl; C. Château en Espagne; D.
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Devoid of narrative, the painting is an almost photographic capture of a single moment. Set in an ambiguous space, it forms a study in grays, blues and black, punctuated by the blazing red of heated metal. The composition is balanced by the complementary gestures of the figures. [2] Apollo in the Forge of Vulcan by Diego Velázquez, (1630).
Vulcan Presenting Venus with Arms for Aeneas (French: Les Forges de Vulcain) is an oil-on-canvas painting by the French painter François Boucher, executed in 1757 and now in the Louvre in Paris. [ 1 ] [ 2 ] He produced it as the basis for one of a set of tapestries on The Loves of the Gods . [ 2 ]
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The Forge of Vulcan (c. 1564) by Giorgio Vasari. The Forge of Vulcan or Vulcan's Forge is an oil-on-copper painting by the Italian artist Giorgio Vasari, executed c. 1564, now in the Uffizi in Florence. [1] A copy painted c. 1565–1567 by Pier Candido is now in Windsor Castle as part of the Royal Collection.
The intricate painting depicts figures circling around Tiepolo's rendering of Apollo, the sun god; this represents planets orbiting the Sun. The cornice of the painting symbolize the continents Europe, America, Africa, and Asia. [1] It was identified in the ceiling of a corridor at the Hendon Hall Hotel, London, in 1954.