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The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music.
Critical reception of "Warm and Beautiful" has been mixed. Elvis Costello has stated that "Warm and Beautiful" is "one of the most beautiful songs that Paul ever wrote for Linda." [3] Billboard Magazine's Timothy White considers the song one of McCartney's post-Beatle peaks. [7] Benitez describes the song as "sentimental, idealistic, but ...
The most basic three-chord progressions of Western harmony have only major chords. In each key, three chords are designated with the Roman numerals (of musical notation): The tonic (I), the subdominant (IV), and the dominant (V). While the chords of each three-chord progression are numbered (I, IV, and V), they appear in other orders. [f] [18]
The single was an early example of industrial and synth-pop music, emerging on a wave of numerous electronic pop experiments of the late 1970s in the UK. [6] [7] It has since been described as having "revolutionised electronic music with its punk aesthetic, stark sound and dark subject matter" [2] "Warm Leatherette" is considered to be a seminal track that influenced the emerging synth-pop of ...
In jazz chords and theory, most triads that appear in lead sheets or fake books can have sevenths added to them, using the performer's discretion and ear. [1] For example, if a tune is in the key of C, if there is a G chord, the chord-playing performer usually voices this chord as G 7.
A closely related key can be defined as one that has many common chords. A relative major or minor key has all of its chords in common; a dominant or subdominant key has four in common. Less closely related keys have two or fewer chords in common. For example, C major and A minor have 7 common chords while C major and F ♯ major have 0 common ...
"Cold Days, Hot Nights" is a song by German pop band Moti Special, released in 1984 as the second single from their debut studio album, Motivation (1985). The song was co-written by Manfred Thiers and Richard Palmer-James, and produced by Moti Special. The song reached No. 3 in West Germany and No. 4 in Switzerland.
The Rip Chords were an early-1960s American vocal group, originally known as the Opposites, composed of Ernie Bringas and Phil Stewart. [1] The group eventually expanded into four primary voices, adding Columbia producer Terry Melcher and co-producer Bruce Johnston (best known as a member of the Beach Boys ).