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The story itself is considered a performance so there is a synergy among the aforementioned elements. [1] In the story, the narrator may draw attention to the narrative or to himself as storyteller. [2] The structure often includes the following: Tell riddles to test the audience. Audience becomes a chorus and comments on the story.
Story structure or narrative structure is the recognizable or comprehensible way in which a narrative's different elements are unified, including in a particularly chosen order and sometimes specifically referring to the ordering of the plot: the narrative series of events, though this can vary based on culture.
Short story - A work of at least 2,000 words but under 7,500 words (between about 10 and 40 pages). Novella - A work of at least 17,500 words but under 50,000 words (90-170 pages). [6] The boundary between a long short story and a novella is vague. [7] Novel - A work of 50,000 words or more (about 170+ pages). Epic - A long poem.
Odyssey (), Alice's Adventures in Wonderland (Lewis Carroll), "Goldilocks and the Three Bears", Orpheus, The Time Machine (), Peter Rabbit (Beatrix Potter), The Hobbit (J.R.R. Tolkien), Brideshead Revisited (Evelyn Waugh), "The Rime of the Ancient Mariner" (Samuel Taylor Coleridge), Gone with the Wind (Margaret Mitchell), The Third Man, The Lion King, Back to the Future, The Lion, the Witch ...
Any story element (e.g. idea, symbol, pattern, or character-type) that appears repeatedly in stories across time and space. [25] aristeia argument arsis and thesis asemic writing aside assonance astrophic (of one or more stanzas) Having no particular pattern. [3] [11] asyndeton The omission of conjunctions between successive clauses. An example ...
Elements of the oral storytelling art form often include the tellers encouragement to have participants co-create an experience by connecting to relatable elements of the story and using techniques of visualization (the seeing of images in the mind's eye), and use vocal and bodily gestures to support understanding.
Romantic fantasy – describes a fantasy story using many of the elements and conventions of the romance genre. Science fantasy – has mystical elements that are scientifically explainable, or which combines science fiction elements with fantasy elements. Science fiction was once referred to under this name.
Themes are more abstract than other elements and are subjective: open to discussion by the audience who, by the story's end, can argue about which big ideas or messages were explored, what conclusions can be drawn, and which ones the work's creator intended. Thus, the audience may come to different conclusions about a work's themes than what ...