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A fireplace or hearth is a structure made of brick, stone or metal designed to contain a fire. Fireplaces are used for the relaxing ambiance they create and for heating a room. Fireplaces are used for the relaxing ambiance they create and for heating a room.
Also available are firebrick "splits" which are half the thickness and are often used to line wood stoves and fireplace inserts. The dimensions of a split are usually 229 mm × 114 mm × 32 mm (9 in × 4 + 1 ⁄ 2 in × 1 + 1 ⁄ 4 in). [3] Fire brick was first invented in 1822 by William Weston Young in the Neath Valley of Wales.
A Franklin stove. The Franklin stove is a metal-lined fireplace named after Benjamin Franklin, who invented it in 1742. [1] It had a hollow baffle near the rear (to transfer more heat from the fire to a room's air) and relied on an "inverted siphon" to draw the fire's hot fumes around the baffle. [2]
Kees van Dongen, before 1920, Mme Jasmy Alvin, oil on canvas, 195 x 131.5 cm, Musée national d'art moderne.jpg 1,000 × 1,500; 996 KB Le Corbusier (Charles-Édouard Jeanneret), 1920, Guitare verticale (2ème version), oil on canvas, 100 x 81 cm, Fondation Le Corbusier, Paris.jpg 387 × 480; 20 KB
While pit houses never completely disappeared, after PI most residences were above-ground blocks of pueblo rooms, usually with at least one "family" kiva in front. Cliff dwellings - Pueblos constructed under overhangs in the cliff sides of the mesas in the Southwest. Cliff dwellings were a relatively late development in Pueblo communities ...
It was named by the art historian Hubert Janitschek after the Ottonian dynasty which ruled Germany and northern Italy between 919 and 1024 under the kings Henry I, Otto I, Otto II, Otto III and Henry II. [128] With Ottonian architecture, it is a key component of the Ottonian Renaissance (circa 951–1024). However, the style neither began nor ...
In the first of the pictures, one of the most widely recognized images in the history of painting, Michelangelo shows God reaching out to touch Adam. Vasari describes Adam as "a figure whose beauty, pose, and contours are of such a quality that he seems newly created by his Supreme and First Creator rather than by the brush and design of a mere ...
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