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A Brief Introduction to a Comparative Study of Greek and Indian Aesthetics and Poetics, Calcutta: Sen Ray & Co., 1954; Sen, R. K., Nature of Aesthetic Enjoyment in Greek and Indian Analyses, Indian Aesthetics and Art Activity, Simla: Indian Institute of Advanced Study, 1968
The simple pictorial language of Warli painting is matched by a rudimentary technique. The ritual paintings are usually created on the inside walls of village huts. The walls are made of a mixture of branches, earth and red brick that make a red ochre background for the paintings. The Warli only paint with a white pigment made from a mixture of ...
A mood board is a type of visual presentation or 'collage' consisting of images, text, and samples of objects in a composition. It can be based on a set topic or can be any material chosen at random. It can be based on a set topic or can be any material chosen at random.
Indian-origin religions Hinduism, Jainism, Buddhism, and Sikhism, [4] are all based on the concepts of dharma and karma. Ahimsa, the philosophy of nonviolence, is an important aspect of native Indian faiths whose most well-known proponent was Shri Mahatma Gandhi, who used civil disobedience to unite India during the Indian independence movement – this philosophy further inspired Martin ...
The theory of rasas forms the aesthetic underpinning of all Indian classical dance and theatre, such as Bharatanatyam, Kathakali, Kathak, Kuchipudi, Odissi, Manipuri, Kudiyattam, and others. [ 8 ] In Indian classical music , each raga is an inspired creation for a specific mood, where the musician or ensemble creates the rasa in the listener ...
A. K. Ramanujan's theoretical and aesthetic contributions span several disciplinary areas. Context-sensitivity is a theme that appears not only in Ramanujan's cultural essays, but also appears in his writing about Indian folklore and classic poetry.
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