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The cinema also featured in the 1968 film Prudence and the Pill in a scene where Grace and Henry Hardcastle decide to go to the pictures but change their mind just outside The Playhouse cinema. The neon "Playhouse" is clearly pictured in the scene. This cinema was also used as a set in season two of the 2022 television series Heartstopper ...
The 55th Street Playhouse—periodically referred to as the 55th Street Cinema and Europa Theatre—was a 253-seat movie house [3] at 154 West 55th Street, [2] Midtown Manhattan, New York City, that opened on May 20, 1927.
Playhouse (German: Schauspielhaus) is a common term for a theatre. Playhouse , The Playhouse , Playhouse Theatre , or Playhouse Theater may also refer to: Venues and theatre companies
The Columbia Theatre (1891 – c. 1957) or Loew's New Columbia Theatre in Boston, Massachusetts, was a playhouse and cinema located in the South End at No. 978 Washington Street. [1] [2] Charles Frohman, Isaac Baker Rich and William Harris ("Rich & Harris and Charles Frohman") oversaw the theatre until 1895.
The Cape Cinema was founded in 1930 [2] by Edna B. Tweedy and Raymond Moore, three years after Moore founded the Cape Playhouse. [3] The building's exterior was designed by Alfred Easton Poor and modelled after the South Congregational Church in Centerville, Massachusetts. [4]
The Film Guild Cinema was a movie house designed by notable architectural theoretician and De Stijl member, Frederick Kiesler (earlier designs by Eugene De Rosa). [1] It was located at 52 W. 8th St. in Greenwich Village, New York City. It was built in 1929. It was renamed the 8th Street Playhouse a year later.
Edinburgh Playhouse is a theatre in Edinburgh, Scotland. With 3,059 seats [ a ] it is the largest theatre in Scotland and second largest in the United Kingdom, after the Hammersmith Apollo . The theatre is owned by Ambassador Theatre Group .
Somewhere around 1914 he met George Green, a developer of cinemas. Fairweather became the in-house architect for the Green's Playhouse cinema chain. [3] Green sent him on a long study trip to the United States in 1922/23 to look at cinema and theatre design, and in particular the work of Scots-born Thomas W. Lamb.