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Microtonality is the use in music of microtones — intervals smaller than a semitone, also called "microintervals".It may also be extended to include any music using intervals not found in the customary Western tuning of twelve equal intervals per octave.
James Tenney. James Tenney (August 10, 1934 – August 24, 2006) was an American composer and music theorist.He made significant early musical contributions to plunderphonics, sound synthesis, algorithmic composition, process music, spectral music, microtonal music, and tuning systems including extended just intonation.
In 1900, Carrillo attended the International Congress of Music in Paris, presided by Camille Saint-Saëns. He presented a paper, which the Congress accepted and published, on the names of musical sounds. He proposed that, since each note is one sound, each note name (C, D flat, etc.) should be a single syllable. He proposed 35 monosyllabic names.
Microtonal music or microtonality is the music with microtones (also called 'microintervals') used as ornamental inflexions of basically diatonic/chromatic scales or substantial elements of specifically microtonal scales. Some scholars also call 'microtonal' music with intervals which deviate from a semitone of the Western 12-tone equal ...
Harry Partch (June 24, 1901 – September 3, 1974) was an American composer, music theorist, and creator of unique musical instruments.He composed using scales of unequal intervals in just intonation, and was one of the first 20th-century composers in the West to work systematically with microtonal scales, alongside Lou Harrison.
Semantic Daniélou-53. The semantic system is based on a microtonal musical scale tuned in just intonation, developed by Alain Daniélou.. For Daniélou, the subtleties of the intervals of music of oral traditions cannot be expressed using the equal temperament tuning system of 12 notes per octave, which has been the prevalent system in Western culture for around two centuries.
These etudes bring out connections and resemblances to twelve-tone music as well as various xenharmonic characteristics, reflected in Twelve Microtonal Etudes for Electronic Music Media. About his 16-tone etude, Blackwood wrote: [4] This tuning is best thought of as a combination of four intertwined diminished seventh chords.
Wyschnegradsky in Paris, c. 1930. Ivan Alexandrovich Wyschnegradsky [n 1] (US: / v ɪ ʃ n ə ˈ ɡ r ɑː d s k i / vish-ne-GROD-skee; Russian: Ива́н Алекса́ндрович Вышнегра́дский May 14 [O.S. 2 May] 1893 – September 29, 1979), was a Russian composer primarily known for his microtonal compositions, including the quarter tone scale (24-tet: 50 cents) utilized ...