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"Wedding Bells (Are Breaking Up That Old Gang Of Mine)" is a popular barbershop song composed by Sammy Fain with lyrics by Irving Kahal and Willie Raskin. Published in 1929 , the song laments the loss of childhood friendships as they are replaced by adult relationships.
The Library of Congress: Historic American Sheet Music: 1850–1920: American: 3,042 19th and early 20th-century American sheet music drawn from the Rare Book, Manuscript, and Special Collections Library at Duke University. The Library of Congress: The Library of Congress: Music for the Nation: American Sheet Music 1870–1885: 19th-century ...
Holding over 100,000 titles (750,000 sheets) this is the largest sheet music collection in the world excepting only the Library of Congress. The " Barberpole Cat Program" is a collection of 12 songs (commonly known as "polecats") that are considered standard repertoire for every barbershopper (" Let Me Call You Sweetheart ", "My Wild Irish Rose ...
G. Schirmer, Inc. cover page of Bériot's Airs Variés. Schirmer was the former chairman of the Board of the music publishing corporation. Rudolph Edward Schirmer Jr. (June 18, 1919 – Nov 19, 2000) was a composer, lyricist, poet, and the former chairman of the Board of G. Schirmer Music Inc., an American classical music publishing company. [1]
The Dapper Dans barbershop quartet, at Disneyland's Main Street, USA WPA poster, 1936. Barbershop vocal harmony is a style of a cappella close harmony, or unaccompanied vocal music, characterized by consonant four-part chords for every melody note in a primarily homorhythmic texture.
"Goodbye, My Coney Island Baby" is a popular barbershop song composed in 1924 by Les Applegate. [ 1 ] [ 2 ] The tune was later adopted by Texas A&M for their Aggie War Hymn , the words of which were written in 1918 by J.V. "Pinky" Wilson , while he was serving in France during World War I .
Barbershop harmony is a style of unaccompanied vocal music characterized by consonant four-part chords for every melody note in a predominantly homophonic texture. Each of the four parts has its own role: the lead sings the melody, with the tenor harmonizing above the melody, the bass singing the lowest harmonizing notes, and the baritone completing the chord.
Harry von Tilzer, composer William A. Dillon, lyricist. The song was one of the most popular of 1911, bested only by "Alexander's Ragtime Band" by Irving Berlin. [3]According to Dillon's 1966 obituary in The New York Times, the song sold over five million score sheets and recordings.
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