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Year. 1743. Medium. Oil on canvas. Dimensions. 69.9 cm × 90.8 cm (27.5 in × 35.7 in) Location. National Gallery, London. The Tête à Tête is the second canvas in the series of six satirical paintings known as Marriage A-la-Mode, painted by William Hogarth.
Marriage A-la-Mode[1][fn 1] is a series of six pictures painted by William Hogarth between 1743 and 1745, intended as a pointed skewering of 18th-century society. They show the disastrous results of an ill-considered marriage for money or social status, and satirize patronage and aesthetics. The pictures are held in the National Gallery in London.
Oil on wood. Dimensions. 120 cm × 150 cm (47 in × 59 in) Location. Museo del Prado, Madrid. The Seven Deadly Sins and the Four Last Things is a painting attributed to the Early Netherlandish artist Hieronymus Bosch [1][2] or to a follower of his, [3] completed around 1500 or later. Since 1898 its authenticity has been questioned several times.
138 × 144 cm. Museo del Prado, Madrid, Spain. The outer panels form a single image, Saint Gregory's Mass, rendered in grisaille. The Garden of Earthly Delights. c. 1495–1505. Oil on wood. 220 × 389 cm. Museo del Prado, Madrid, Spain. The Creation of the World.
Charles Catton the younger (1756–1819) was apprenticed to his father, working closely to his style, and was trained at the Royal Academy schools. [ 1 ] [ 2 ] He exhibited regularly at the academy (1775–1800) – landscapes, animals and topographical watercolours – and was an occasional scene painter at Covent Garden Theatre (1781–1794).
Divine Love Conquering Earthly Love (1602–1603), showing dramatic compositional chiaroscuro. In art, chiaroscuro (English: / kiˌɑːrəˈsk (j) ʊəroʊ / kee-AR-ə-SKOOR-oh, -SKURE-, Italian: [ˌkjaroˈskuːro]; lit. 'light-dark') is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition.
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