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The đàn tranh (Vietnamese: [ɗâːn ʈajŋ̟], 彈 箏) or đàn thập lục[1] is a plucked zither of Vietnam, based on the Chinese guzheng, from which are also derived the Japanese koto, the Korean gayageum and ajaeng, the Mongolian yatga, the Sundanese kacapi and the Kazakh jetigen. It has a long soundbox with the steel strings, movable ...
The đàn nhị (Vietnamese: [ɗâːn ɲîˀ], Chữ Nôm: 彈二), also called đàn cò, is a Vietnamese bowed string instrument with two strings. The word nhị means "two" in Sino-Vietnamese, and đàn means "instrument". Its sound box is generally covered on one end with snakeskin. [1] There is some variation in construction between ...
The girl on the far right is playing the đàn tỳ bà. The đàn tỳ bà or đàn tì bà (Vietnamese: [ɗàːn tì ɓàː], Chữ Nôm: 彈琵琶) is a Vietnamese traditional plucked string instrument derived from the Chinese pipa, [1] That first gained popularity in China before spreading throughout East Asia, eventually reaching Vietnam sometime during the Trần dynasty.
Đàn tre ("bamboo instrument") - A hybrid form of the Vietnamese plucked string instrument, similar to a Đàn tính, called a Đàn tre, was created by Nguyễn Minh Tâm, who escaped from Vietnam in 1982 and ultimately settled in Australia. The instrument has twenty-three 800 mm (31 in)-long wire strings attached to a bamboo tube with a ...
Lộn cầu vồng. Nhảy ngựa. Nhảy dây. Bầu cua cá cọp. Đá cầu. Đi cà kheo. Trốn tìm. Xỉa cá mè. Dung dăng dung dẻ.
Phan Bội Châu (Vietnamese: [faːn ɓôjˀ cəw]; 26 December 1867 – 29 October 1940), born Phan Văn San, courtesy name Hải Thụ (later changed to Sào Nam), was a pioneer of Vietnamese 20th century nationalism. In 1904, he formed a revolutionary organization called Duy Tân Hội ("Modernization Association"). From 1905 to 1908, he ...
Tiến lên (Vietnamese: tiến lên, tiến: advance; lên: to go up, up; literally: "go forward"; also Romanized Tien Len) is a shedding -type card game originating in Vietnam. [1] It may be considered Vietnam's national card game, and is common in communities where Vietnamese migration has occoured.
Chèo (Vietnamese: [t͡ɕɛw˨˩], Chữ Nôm: 嘲) is a form of generally satirical musical theatre, often encompassing dance, traditionally performed by Vietnamese peasants in northern Vietnam. It is usually performed outdoors by semi-amateur touring groups, stereo-typically in a village square or the courtyard of a public building, although ...