Search results
Results from the WOW.Com Content Network
Gwosdz played during four seasons at the Major League Baseball (MLB) for the San Diego Padres. He was drafted by the Padres in the 2nd round of the 1978 MLB draft. Gwosdz played his first professional season with their Class-A (Short Season) Walla Walla Padres in 1978, and his last with the Cincinnati Reds' Triple-A Nashville Sounds in 1989.
Meanwhile, Mendoza has continued to promote and book events in the San Diego area, including the Sounds Like San Diego series, with nine editions to date since 2003. [ 38 ] [ 39 ] [ 40 ] In 2007, Mendoza was part of a quartet of musicians who were interviewed at length about John Lennon in the documentary, Why We Listen , by director Carla Sweet.
In 1912, San Diego was the site of a free speech fight between the Industrial Workers of the World and the city government who passed an ordinance forbidding the freedom of speech along an area of "Soapbox Row" that led to civil disobedience, vigilantism, police violence, the abduction of Emma Goldman's husband Ben Reitman and multiple riots.
This movement would eventually become known as the "San Diego sound". [12] Gravity was founded in 1991 by Matt Anderson, member of the band Heroin, as a means to release the music of his band and of other related San Diego groups, [13] which also included Antioch Arrow and Clikatat Ikatowi. [11]
Gravity is an underground independent record label from San Diego. [2] It was formed in 1991 by Matt Anderson, a member of the influential underground band Heroin. [3] It has been central in developing and promoting the "San Diego sound" – an idiosyncratic form of post-hardcore with loose, chaotic musicianship and vocals, initiated by Heroin, Antioch Arrow, and Clikatat Ikatowi, as well as ...
This page was last edited on 2 September 2019, at 15:09 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Antioch Arrow was an American punk rock band from San Diego, California, that formed in 1992. Most of their discography was released through the San Diego independent label Gravity Records . The label was responsible raising San Diego 's profile in the underground music scene of the mid-1990s.
Dugan's first efforts in sound involved designing sound solutions for the Shakespeare festival in San Diego and for the American Conservatory Theater (ACT) in San Francisco. [3] Dugan's complex and atmospheric theatrical soundscapes led to a new title: during ACT's 1968–69 season, he was the first regional theatre person to be called a "sound ...