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Brother, Can You Spare a Dime? is a 1975 documentary film directed by Philippe Mora, [4] consisting largely of newsreel footage and contemporary film clips [5] to portray the era of the Great Depression. [6] [7]
20th Century Fox / Golden Harvest / The Movie Company: Brian Trenchard-Smith (director/screenplay); Jimmy Wang Yu, George Lazenby, Hugh Keays-Byrne, Roger Ward, Ros Speirs, Rebecca Gilling, Frank Thring, Sammo Hung, Grant Page, Bill Hunter, John Orcsik, Brian Trenchard-Smith, Andre Morgan, Phillip Avalon, Roy Chiao, Deryck Barnes, Elaine Wong A ...
[1] [3] [4] Gorney recalled that the pair came up with the title "Brother, Can You Spare a Dime?" after walking in the Central Park where they heard unemployed men asking "Can you spare a dime?" [5] Harburg recalled that he was working on a song for the musical Americana: "We had to have a title... Not to say, my wife is sick, I've got six ...
[1] Lisztomania: Ken Russell: Roger Daltrey, Fiona Lewis: Musical b: Love Among the Ruins: George Cukor: Katharine Hepburn, Laurence Olivier: Comedy, Drama, Romance: Made for TV Man Friday: Jack Gold: Entered into the 1975 Cannes Film Festival: The Man Who Would Be King: John Huston: Sean Connery, Michael Caine, Christopher Plummer: Adventure ...
Oscar nominee Jason Reitman (Juno, Up in the Air) is co-writing and directing a movie about Saturday Night Live’s first ever taping, entitled SNL 1975. It takes place on Oct. 11, 1975, “where ...
The mother and brother of the sisters (who wish to remain anonymous) purchased the coin in 1978 for $18,200. The coin sat in a bank vault for over 40 years until it was inherited by the sisters ...
Black Moon (1975 film) Blacker Than the Night; Blazing Stewardesses; Blonde in Black Leather; Blood Brothers (1975 film) The Bloodsucker Leads the Dance; Blue Jeans (1975 film) Bons Baisers de Hong Kong; Bonus (film) The Boss and the Worker; Boss Nigger; Bound for Glory (1975 film) The Box (1975 film) A Boy and His Dog (1975 film) Boy Friend ...
As the title suggests, SNL 1975 takes place on Oct. 11, 1975, “where a ferocious troupe of young comedians and writers changed television forever,” according to the film’s initial announcement.