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William James Collins (born March 22, 1941) is an American poet who served as the Poet Laureate of the United States from 2001 to 2003. [1] He was a Distinguished Professor at Lehman College of the City University of New York, retiring in 2016.
Picnic, Lightning is a collection of poetry by Billy Collins, published in 1998.His fourth book of poetry, it was his first to be widely published (selling over 50,000 copies) [1] and his last before election as United States Poet Laureate.
When Collins first published the paradelle, it was with the footnote "The paradelle is one of the more demanding French fixed forms, first appearing in the langue d'oc love poetry of the eleventh century. It is a poem of four six-line stanzas in which the first and second lines, as well as the third and fourth lines of the first three stanzas ...
The book was noted praiseworthy "for its populist approach to poetry." [5] The Best of Poetry in Motion: Celebrating 25 Years on Subways and Buses by Alice Quinn with a foreword by Billy Collins was published by W. W. Norton & Company in 2017. ISBN 978-0-393-60937-0
Collins' only other completed poem afterwards was the "Ode written on the death of Mr Thomson" (1749), but his unfinished works suggest that he was moving away from the contrived abstraction of the Odes and seeking inspiration in an idealised time uncorrupted by the modern age. Collins had showed the Wartons an "Ode on the Popular Superstitions ...
The Art of Drowning is a book of poetry by the American Poet Laureate Billy Collins, first published in 1995. John Updike described the collection as "Lovely poems—lovely in a way almost nobody's since [Theodore] Roethke's are. Limpid, gently and consistently startling, more serious than they seem, they describe all the worlds that are and ...
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On the relationship between form and content, Anne Ridler notes in an introduction to her own poem "Villanelle for the Middle of the Way" a point made by T. S. Eliot, that "to use very strict form is a help, because you concentrate on the technical difficulties of mastering the form, and allow the content of the poem a more unconscious and ...