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The Martian poets were English poets of the 1970s and early 1980s, including Craig Raine and Christopher Reid. Through the heavy use of curious, exotic, and humorous metaphors, Martian poetry aimed to break the grip of "the familiar" in English poetry, by describing ordinary things as if through the eyes of a Martian.
In England, the so-called "second generation" Romantic poets, especially John Keats, Percy Bysshe Shelley, and Lord Byron are considered exemplars of Hellenism. Drawing from Winckelmann (either directly or derivatively), these poets frequently turned to Greece as a model of ideal beauty, transcendent philosophy, democratic politics, and homosociality or homosexuality (for Shelley especially).
The first English book which was solely about Texas was Texas (1833) by Mary Austin Holley, cousin of Stephen F. Austin. It was expanded in 1836 and retitled History of Texas. [1] A later author in this period, John Crittenden Duval, was dubbed the "Father of Texas Literature" by J. Frank Dobie.
Oral-formulaic theory in Anglo-Saxon poetry refers to the application of the hypotheses of Milman Parry and Albert Lord on the Homeric Question to verse written in Old English. The theory proposes that features of at least some of the poetry may be explained by positing oral-formulaic composition , meaning that poets have a store of verbal ...
New Formalism is a late 20th- and early 21st-century movement in American poetry that has promoted a return to metrical, rhymed verse and narrative poetry on the grounds that all three are necessary if American poetry is to compete with novels and regain its former popularity among the American people.
“In the earliest stages of English poetry, they were inseparable,” she says. “Not absolutely identical, but they have a long and rich history together that is re-energized by Taylor Swift.”
A heroic couplet is a traditional form for English poetry, commonly used in epic and narrative poetry, and consisting of a rhyming pair of lines in iambic pentameter.Use of the heroic couplet was pioneered by Geoffrey Chaucer in the Legend of Good Women and the Canterbury Tales, [1] and generally considered to have been perfected by John Dryden and Alexander Pope in the Restoration Age and ...
The characteristics and style of Graveyard poetry is not unique to them, and the same themes and tone are found in ballads and odes. Many of the Graveyard School poets were, like Thomas Parnell, Christian clergymen, and as such they often wrote didactic poetry, combining aesthetics with religious and moral instruction. [3]