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The onager (UK: / ˈ ɒ n ə dʒ ə /, / ˈ ɒ n ə ɡ ə /; US: / ˈ ɑː n ə dʒ ə r /) [1] was a Roman torsion-powered siege engine. It is commonly depicted as a catapult with a bowl, bucket, or sling at the end of its throwing arm. The onager was first mentioned in 353 AD by Ammianus Marcellinus, who described onagers as the same as a ...
The torsion mangonel myth began in the 18th century when Francis Grose claimed that the onager was the dominant medieval artillery until the arrival of gunpowder. In the mid-19th century, Guillaume Henri Dufour adjusted this framework by arguing that onagers went out of use in medieval times, but were directly replaced by the counterweight trebuchet.
Onager: 353 BC Rome: The Onager was a Roman torsion powered siege engine. It is commonly depicted as a catapult with a bowl, bucket, or sling at the end of its throwing arm. Trebuchet: 4th Century BC China: Similar to the catapult, but uses a swinging arm to launch projectiles. It is usually considered to be stronger than the catapult. [4 ...
Mangonel was a general term for medieval stone-throwing artillery and was used more specifically to refer to manually (traction--) powered weapons. It is sometimes wrongly used to refer to the onager. [10] Modern military historians came up with the term "traction trebuchet" to distinguish it from previous torsion machines such as the onager. [11]
Sketch of an Onager, from Antique technology by Diels. The onager was a post-classical Roman siege engine, which derived its name from the kicking action of the machine, similar to that of an onager (wild ass). It is a type of catapult that uses torsional pressure, generally from twisted rope, to store energy for the shot.
The onager is a member of the subgenus Asinus, belonging to the genus Equus and is classified under the family Equidae. The species was described and given its binomial name Equus hemionus by German zoologist Peter Simon Pallas in 1775. The Asiatic wild ass, among Old World equids, existed for more than 4 million years.
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.
The hot comb was an invention developed in France as a way for women with coarse curly hair to achieve a fine straight look traditionally modeled by historical Egyptian women. [44] However, it was Annie Malone who first patented this tool, while her protégé and former worker, Madam C. J. Walker, widened the teeth. [45]