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Secrétaire à abattant by Jean-François Leleu, Paris, ca 1770 (Musée Nissim de Camondo, Paris). French furniture comprises both the most sophisticated furniture made in Paris for king and court, aristocrats and rich upper bourgeoisie, on the one hand, and French provincial furniture made in the provincial cities and towns many of which, like Lyon and Liège, retained cultural identities ...
The fauteuils, or armchairs, were larger and designed for comfort; their styles evolved during the reign of Louis XV. During the early years of the Regency (1715-23) the armchairs had short curved feet, the top of the back was slightly curved, while the supports of the back and the arms were straight.
[12] [6] Cabriole legs were influenced by the designs of the French cabinetmaker André-Charles Boulle [13] and the Rococo style from the French court of Louis XV. [14] But the intricate ornamentation of post-Restoration furniture was abandoned in favor of more conservative designs, possibly under the influence of the simple and elegant lines ...
French monument by subscription for the 1st three American soldiers killed in action in World War I. This is a model of the actual monument in Lorraine destroyed by the invading Germans in 1940. Majorelle died in Nancy in 1926 in his beautiful property on rue du Vieil-Aître, leaving to his brothers Jules and Pierre, the management of the store ...
Frank Joseph Forster (1886 – March 4, 1948) was an American architect who designed homes in the style of French Provincial architecture during the early 20th century. [1] He was also the author of two books about the French Provincial architecture style.
Directoire style (French pronunciation: [diʁɛktwaʁ] ⓘ) was a period in the decorative arts, fashion, and especially furniture design in France concurrent with the Directory (November 2, 1795–November 10, 1799), the later part of the French Revolution.
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French Provincial (French: Souvenirs d’en France) is a 1975 French drama film directed by André Téchiné, starring Jeanne Moreau, Michel Auclair and Marie-France Pisier. The film presents an overview of French life and politics though the changes within one family in southwestern France from the 1930s through the 1970s.