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The major seventh chord, sometimes also called a Delta chord, can be written as maj 7, M 7, Δ, ⑦, etc. The "7" does not have to be superscripted, but if it is, then any alterations, added tones, or omissions are usually also superscripted. For example, the major seventh chord built on C, commonly written as Cmaj 7, has pitches C–E–G–B:
Seventh (F), in red, of a G7 dominant seventh chord in C Third inversion G7 chord; the seventh is the bass. In music, the seventh factor of a chord is the note or pitch seven scale degrees above the root or tonal center. [1] When the seventh is the bass note, or lowest note, of the expressed chord, the chord is in third inversion Play ⓘ.
0 4 7 9: Major Major sixth ninth chord ("6 add 9", [2] Nine six, [3] 6/9) Play ...
Five of the most common seventh chord, all built on C: major (C Δ7), dominant (C 7), minor (C– 7), half-diminished (C ø 7), and diminished (C o 7) A seventh chord is a triad with a seventh . The seventh is either a major seventh [M7] above the root, a minor seventh [m7] above the root (flatted 7th), or a diminished seventh [d7] above the ...
The small major seventh is a ratio of 9:5, [7] now identified as a just minor seventh. 35:18, or 1151.23 cents, is the ratio of the septimal semi-diminished octave. [8] The 15:8 just major seventh occurs arises in the extended C major scale between C & B and F & E. [9] Play F & E ⓘ The major seventh interval is considered one of the most ...
In major keys, the chords iii and vi are often substituted for the I chord, to add interest. In the key of C major, the I major 7 chord is "C, E, G, B," the iii chord ("III–7" [11]) is E minor 7 ("E, G, B, D") and the vi minor 7 chord is A minor 7 ("A, C, E, G"). Both of the tonic substitute chords use notes from the tonic chord, which means ...
Nashville notation or Nashville Number System [2] is a method of notating chord changes using numbers based on scale degrees, in lieu of chord names. For example, in the key of C-Major, the chord D-minor-seventh can be written as 2− 7, 2m 7, or ii 7.
For example, while a classical piece and a swing arrangement might use the following chord sequence in the key of C major: "C – Am – Dm – G 7", a bebop bandleader might reharmonize the same progression as "C 7 – A 7 – D 7 – G 7", making a sequence of dominant seventh chords, so long as the new dominant chord harmonies were ...