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Professional color film, 'Natural Color' for subtle color and natural skin tones in low light or with flash. US: 135, 120, 220, Sheet film: Portra 400 Kodak: Portra 400VC: 1998–2010: T: 400: C-41: Print: Professional color film, 'Vivid Color' for vibrant color and slightly higher contrast to add snap to flat/overcast light. US: 135, 120, 220 ...
Early color infrared films were developed in the older E-4 process, but Kodak later manufactured a color transparency film that could be developed in standard E-6 chemistry, although more accurate results were obtained by developing using the AR-5 process. [40] Like HIE, EIR uses a clear polyester film base and must be loaded in complete darkness.
Color films also contain light filters to filter out certain colors as the light passes through the film: often there is a blue light filter between the blue and green sensitive layers and a yellow filter before the red sensitive layer; in this way each layer is made sensitive to only a certain color of light.
Creative color film with added tone to give candy colors [39] Austria: 135-36 dubblefilm: Jelly: 2018-T: 200: C-41: Print: Creative color film with green, blue and orange hues top to bottom of frame [40] Austria: 135-36 dubblefilm: Pacific: 2018-T: 200: C-41: Print: Creative color film with added tone to give deep colors inspired by the ...
Dichroic fog is a type of fogging produced during development, especially when using developers with chemical solvent components. [6] It is evident as an often metallic layer which may appear red or green by reflected or transmitted light and consists of a very thin film of metallic silver redeposited onto the film.
This is a list of color film processes known to have been created for photographing and exhibiting motion pictures in color since the first attempts were made in the late 1890s. It is limited to "natural color" processes, meaning processes in which the color is photographically recorded and reproduced rather than artificially added by hand ...
Distributor and color conversion company Above and Beyond: 1952: 1992: Turner Entertainment [1] The Absent-Minded Professor: 1961: 1986: The Walt Disney Company [2] (Color Systems Technology) [3] [a] An Ache in Every Stake: 1941: 2004: Columbia Pictures (West Wing Studios) [6] Across the Pacific: 1942: 1987: Turner Entertainment [7] Action in ...
The real push for color films and the nearly immediate changeover from black-and-white production to nearly all color film were pushed forward by the prevalence of television in the early 1950s. In 1947, only 12 percent of American films were made in color. By 1954, that number rose to over 50 percent. [3]
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