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As the access to materials increased, competition to design the most beautiful patterns rose, with an estimate of over 300 different kogin-zashi patterns being created. In the 20th century, the craft of kogin-zashi was streamlined, establishing the three general types that are seen today: nishi-kogin , higashi-kogin , and mishima-kogin . [ 2 ]
By contrast, in Old Japanese -shiki (〜しき) adjectives (precursors of present i-adjectives ending in -shi-i (〜しい), formerly a different word class) were open, as reflected in words like ita-ita-shi-i (痛々しい, pitiful), from the adjective ita-i (痛い, painful, hurt), and kō-gō-shi-i (神々しい, heavenly, sublime), from the ...
Generally speaking, inflection applies in more or less regular patterns to all members of a part of speech (for example, nearly every English verb adds -s for the third person singular present tense), while derivation follows less consistent patterns (for example, the nominalizing suffix -ity can be used with the adjectives modern and dense ...
The lower bigrade conjugation pattern evolved into the modern ichidan pattern in modern Japanese, and these stems for godan verbs have the same form as the hypothetical stems in the table above. The mizenkei base that ends with -a was also used to express the volitional mood for yodan verbs ( 四段動詞 , yodan-dōshi , "Class‑4 verbs") in ...
Many sashiko patterns were derived from Chinese designs, but just as many were developed by native Japanese embroiderers; for example, the style known as kogin-zashi, which generally consists of diamond-shaped patterns in horizontal rows, is a distinctive variety of sashiko that was developed in Aomori Prefecture.
A few nari adjectival nouns followed a similar path to tari adjectival nouns, becoming naru adjectives in Modern Japanese (analogous to taru adjectives), rather than na adjectives as most nari adjectival nouns did. These include 単なる tannaru "mere, simple" or 聖なる seinaru "holy" and are generally classed as rentaishi.
An adjective preceding a noun to which -d or -ed has been added as a past-participle construction, used before a noun: "loud-mouthed hooligan" "middle-aged lady" "rose-tinted glasses" A noun, adjective, or adverb preceding a present participle: "an awe-inspiring personality" "a long-lasting affair" "a far-reaching decision"
Free morphemes are nouns, adjectives and verbs, while bound morphemes are particles and auxiliaries. In the above utterance, the free morphemes are 母, 料理, して, 父, 皿, and 洗い while the bound ones are が, を and ます. The accent pattern of the entire utterance could be something like this: