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Sarcophagus of Helena The Sarcophagus of Helena is the red porphyry coffin in which Saint Helena , the mother of emperor Constantine the Great , was buried (died 329). The coffin, deprived of its contents for centuries, was removed from the Mausoleum of Helena at Tor Pignatarra, just outside the walled city of Rome .
This style of sarcophagus would cease to be used in Rome by the end of the fourth century, and this sarcophagus of Constantia is a prime example of the style. [ 28 ] The sarcophagus is massive with the chest measuring 128 cm or 4 ft 2 3 ⁄ 8 in high, 233 cm or 7 ft 7 1 ⁄ 2 in long, and 157 cm or 5 ft 1 3 ⁄ 4 in wide. [ 5 ]
The mausoleum was later damaged by the use of its materials for other constructions. In the 8th century it became a defensive fortress. However, it continued to house Helena's tomb until the 11th century, when the sarcophagus was brought to the Lateran (currently it is in the Vatican Museum). The Sarcophagus of Helena
The rest of book 2 ends with the outlining of the religious problems faced by Constantine. Book 3 is largely concerned with Constantine's constructive settlement of the various religious problems. The section includes the only continuous contemporary account of the Council of Nicaea [5] as well as the pilgrimage to Bordeaux. [6]
Photos of the sarcophagus: The wild theory went so viral it spawned a change.org petition entitled "let the people drink the red liquid from the dark sarcophagus."
Fabric analysis is ongoing, but the archaeologists hopes to determine the structure, type, and quality of the yarn used within the tomb. They hope that information will help glean additional ...
Sarcophagus of Constantina, sculpted around AD 340. Formerly in the Mausoleo di Santa Costanza, part of the complex of Sant'Agnese fuori le mura in Rome, it is now on display at the Museo Pio-Clementino in the Vatican City. Some time before mid 320s, Constantina was born to the emperor Constantine and empress Fausta.
The sarcophagi seem to have been produced by workshops who also created pieces with pagan or Jewish iconography. The techniques are the same, but Christian sarcophagi developed a rather different style of layout, with framed scenes, later arranged on two tiers.