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Apple's iMac G3, an example of the blobject-style design common in Y2K aesthetics. [1] Y2K is an Internet aesthetic based around products, styles, and fashion of the late 1990s and early 2000s. The name Y2K is derived from an abbreviation coined by programmer David Eddy for the year 2000 and its potential computer errors.
Y2K is a 2024 American apocalyptic science fiction comedy horror film [4] [5] directed by Kyle Mooney in his directorial debut, written by Mooney and Evan Winter. It stars Jaeden Martell , Julian Dennison , Rachel Zegler , Daniel Zolghadri , Lachlan Watson , Eduardo Franco , Mason Gooding , Mooney and Fred Durst .
Frutiger Aero visuals in user interface design (KDE Plasma 4 from 2011)Frutiger Aero (/ f r uː t ɪ ɡ ə r ɛ ə r ə ʊ /), sometimes known as Web 2.0 Gloss, [1] is a retrospective name applied to a design trend observed mainly in user interfaces and Internet aesthetics from the mid-2000s to the early 2010s. [2]
The Y2K issue was a major topic of discussion in the late 1990s and as such showed up in much popular media. A number of "Y2K disaster" books were published such as Deadline Y2K by Mark Joseph. Movies such as Y2K: Year to Kill capitalized on the currency of Y2K, as did numerous TV shows, comic strips, and computer games.
Y2K (also known as Countdown to Chaos and Y2K: The Movie) is a 1999 American made-for-television science fiction-thriller film directed by Dick Lowry and starring Ken Olin and Kate Vernon. The film takes a fictional look at the societal problems that could ensue from widespread computer shutdowns caused by the Year 2000 problem , also known as ...
The video is considered a condition for the pre-release track "Allergy". As the latter, it was created by Soyeon, who took heavy inspiration from the American movie I Feel Pretty as well as Y2K fashion. [31] The video also took the form of a comedy movie with "retro vibes", and shots that are similar to a "music drama".
Hello World (Japanese: ハロー・ワールド), stylized as HELLO WORLD, is a 2019 Japanese animated science fiction romantic drama film directed by Tomohiko Itō from an original screenplay written by Mado Nozaki.
Multiple journalists thought the video represented YouTube as a whole and stated it was a monumental step for the platform's history. Karim later updated the video's description to criticize YouTube's usage of Google+ accounts and removal of dislikes from public view. As of February 2025, the video has received more than 349 million views. [1]