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The Patriot (play) The Pattern of Painful Adventures (radio play) Paul Pry (play) Pedal Pusher; People, Places and Things; Pete and Dud: Come Again; The Pink Dominos; The Pitmen Painters (play) Play Wisty For Me – The Life of Peter Cook; A Plot and No Plot; Pommy (play) Pomona (stage play) Prayer Room (play) Precious Little Talent; Prime ...
The Flying Machine: A One-Act Play for Three Men (1953), by Ray Bradbury; Fools (1981), by Neil Simon; Fortitude (1968), by Kurt Vonnegut; Frankie and Johnny in the Clair de Lune (1982), by Terrence McNally; The Frog Prince (1982), by David Mamet; The Front Page (1928), by Ben Hecht and Charles MacArthur; Fugitive Kind (1937), by Tennessee Williams
Modern Western musical theatre gained prominence during the Victorian era, with key structural elements established by the works of Gilbert and Sullivan in Britain and Harrigan and Hart in America. By the 1920s, theatre styles began to crystallize, granting composers the autonomy to create every song within a play.
This is a list of British dramatists who wrote their plays in the 1950s or later. This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
Peter Pan, his fellow characters, and the setting of Neverland have appeared in many works since the original books and 1904 play by J. M. Barrie. The earliest were the stage productions of the play, and an adaptation to silent film, done with Barrie's involvement and personal approval. Later works were authorised by Great Ormond Street Hospital, to which Barrie gave the rights to the Peter ...
Hanging Judge (play) Hangmen (play) Happy Families (play) Harry Potter and the Cursed Child; Hay Fever (play) He Would Be a Soldier; The Headmaster (play) The Hebrew (play) Henry II (play) Henry IV, Part 1; Henry IV, Part 2; Henry V (play) Henry VI, Part 1; Henry VI, Part 2; Henry VI, Part 3; Henry VIII (play) Her Naked Skin; The House by the ...
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Lettice and Lovage is a comical and satirical play by Peter Shaffer. [1] It is centered on a flamboyant tour guide who loves to embellish the history behind an English country house and who butts heads with a fact-conscious official at the house.