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Throughout her career, Giovanni also penned many poetry anthologies, children’s books, and spoken word albums. Her autobiographical “Nikki-Rosa” poem has been reprinted in numerous collections.
A code poem may be interactive or static, digital or analog. Code poems can be performed by computers or humans through spoken word and written text. Examples of code poetry include: poems written in a programming language, but human readable as poetry; computer code expressed poetically, that is, playful with sound, terseness, or beauty.
This can include hypertext fiction, animated poetry (often called kinetic poetry) and other forms of digital poetry, literary chatbots, computer-generated narratives or poetry, art installations with significant literary aspects, interactive fiction and literary uses of social media. [3]
Digital poetry is a form of electronic literature, displaying a wide range of approaches to poetry, with a prominent and crucial use of computers. Digital poetry can be available in form of CD-ROM, DVD, as installations in art galleries, in certain cases also recorded as digital video or films, as digital holograms, on the World Wide Web or Internet, and as mobile phone apps.
Posters: “Word art can lack creativity, meaning, or feel too obvious,” says Thea Bloch-Neal, founder and lead designer of Curated by Thea. “I prefer a vintage poster from an art exhibit or ...
“You sound like a poet.” When Nikki Giovanni uttered these words in January 2007 at the end of a two-hour interview, she shifted my life’s focus from covering the news to making art with it.
1st Word/1st Word Plus: Atari ST and Acorn: AM Jacquard Systems: running Type-Rite, its own proprietary software [1] Adobe Buzzword: Adobe PageMaker: Windows, Mac OS, OS/2: Succeeded by Adobe InDesign: AppleWorks: Windows, Mac OS: Formerly ClarisWorks Word Processing, also an older and unrelated application for Apple II. Succeeded by iWork ...
There are two main types of word art: [2] One uses words or phrases because of their ideological meaning, their status as an icon, or their use in well-known advertising slogans; in this type, the content is of paramount importance, and is seen in some of the work of Barbara Kruger, On Kawara and Jenny Holzer's projection artwork called "For the City" (2005) in Manhattan.